{"id":940,"date":"2024-05-15T10:14:32","date_gmt":"2024-05-15T14:14:32","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/brigitte-damours\/"},"modified":"2025-10-17T13:08:20","modified_gmt":"2025-10-17T17:08:20","slug":"brigitte-damours","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/brigitte-damours\/","title":{"rendered":"d&#8217;Amours, Brigitte"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\" style=\"font-size:28px\">Screenwriting<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025 &#8211; <strong>LES CACTUS&nbsp;<\/strong>(Long Feature in pre-development)<br>Screenwriter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025-2024 &#8211; <strong>RETROUV\u00c9 SES ESPRITS&nbsp;<\/strong>(TV series in pre-development)<br>6 x 60 min. &#8211; Screenwriter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025-2024 &#8211; <strong>L\u2019ENGRENAGE<\/strong>&nbsp;(In pre-development)<br>8 x 60 min. &#8211; Screenwriter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 &#8211; <strong>BLACKOUT<\/strong>&nbsp;(TV series in pre-development)<br>6 x 60 min. &#8211; Screenwriter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 &#8211; <strong>COMMENT VA MARIE?<\/strong>&nbsp;(TV series in pre-development)<br>Co-screenwriter \u2013&nbsp;<em>Encore Television<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 &#8211; <strong>LES INGRATES<\/strong>&nbsp;(TV series in pre-development)<br>10 x 30 min. &#8211;&nbsp;Screenwriter<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018-2017 &#8211; <strong>CHEERS<\/strong>&nbsp;(Feature film in development)<br>Co-screenwriter \u2013&nbsp;<em>10e Ave Productions<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011-2010 &#8211; <strong>L\u2019\u00c9CHELLE DE MARIANNE<\/strong>&nbsp;(Feature film in development)<br>Co-screenwriter &#8211;&nbsp;<em>Telefiction<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009-2006<strong> &#8211; BELLE-BAIE<\/strong>&nbsp;(TV series)<br>Co-screenwriter \u2013 26 episodes \u2013&nbsp;<em>Cirrus\/Phare-Est\/SRC<\/em>&nbsp;\u2013 Dir. Various<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:28px\">Script Consultant &amp; Script-Editing<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025 &#8211; <strong>G\u00c9ANTS<\/strong>&nbsp;(Web series in development)<br>6 X 15 min. &#8211; Script editing &#8211; <em>Rom\u00e9o &amp; Fils<\/em> &#8211; Dir. Miquela Houle &amp; Vanessa Brodeur Gauvin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025 &#8211; <strong><strong>U<\/strong>NE HISTOIRE \u00c0 FAIRE JAPPER<\/strong> (Series in pre-development)<br>10 X 30 min.\u00a0&#8211; Script editing &#8211; <em>Babel Films<\/em>\u00a0<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025-2024 &#8211; <strong>LE CONFORT DU DIABLE<\/strong>&nbsp;(Web Series in production)<br>6 X 15 min. &#8211; Script-Editing \u2013&nbsp;<em>115<sup>e<\/sup>&nbsp;Ave Production<\/em>&nbsp;\u2013 Dir. Ariel Poupart<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2025-2022 &#8211; <strong>ENFANT M\u00c9DUSE<\/strong>&nbsp;(Web Series produced)<br>8 x 12 min. &#8211; Script-Editing \u2013&nbsp;<em>Production l\u2019entrep\u00f4t\/ICI Tou.TV<\/em>&nbsp;\u2013 Dir. Andr\u00e9 Roy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024 &#8211; <strong>LE RESSAC<\/strong>&nbsp;(TV Series in pre-&nbsp;development) <br>Script-Editing \u2013&nbsp;<em>Productions Avenida<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2024 &#8211; <strong>BRIS\u00c9S<\/strong>&nbsp;(In pre-development)<br>Script-Editing \u2013&nbsp;<em>Avanti Toast<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 &#8211; <strong>APR\u00c8S LE D\u00c9LUGE 2<\/strong>&nbsp;(TV Series)<br>Script-Editing \u2013&nbsp;<em>Zone 3\/Zama Productions&nbsp;<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 &#8211; <strong>N\u00c9ANDERTAL<\/strong>&nbsp;(Short film in development)<br>Script-editing \u2013&nbsp;<em>Moon Struhk<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 &#8211; <strong>ET TOMBENT LES T\u00caTES<\/strong>&nbsp;(TV series in development)<br>Script-editing \u2013&nbsp;<em>Trio Orange<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 &#8211; <strong>INSTADAME<\/strong>&nbsp;(TV series in development)<br>8 x 10 min. \u2013 Script-editing \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 &#8211; <strong>QUITTE \u00c0 Y LAISSER MA PEAU<\/strong>&nbsp;(TV series in development)<br>6 x 60 min. \u2013 Bible, script-editing \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision\/TVA<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 &#8211; <strong>ROCHER BLANC<\/strong>&nbsp;(TV series in development)<br>Bible, script-editing \u2013 6 x 60 min. \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022-2021 &#8211; <strong>LES MOMENTS PARFAITS II<\/strong>&nbsp;(TV series)<br>Bible, script-editing (12 x 60 min.)<br>Script editing collaborator (12 x 60 min.)<br><em>Encore T\u00e9l\u00e9vision\/TVA<\/em>&nbsp;\u2013 Dir. Fran\u00e7ois B\u00e9gin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 &#8211; <strong>DANS LA FOR\u00caT<\/strong>&nbsp;(TV series in development)<br>8 x 60 min. \u2013&nbsp;<em>Passez Go<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021-2020 &#8211; <strong>SANDY<\/strong>&nbsp;(In pre-development)<br>6 x 10 min. \u2013&nbsp;<em>Chez Sport<\/em>&nbsp;\u2013 Dir. Alexandre Pelletier<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020-2019 &#8211; <strong>EDGAR<\/strong>&nbsp;(TV series)<br>8 x 60 min. \u2013&nbsp;<em>Zone 3\/Crave\/Super \u00c9cran<\/em>&nbsp;\u2013 Dir. Various<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020-2018 &#8211; <strong>LES MOMENTS PARFAITS<\/strong>&nbsp;(TV series)<br>24 x 60 min.-&nbsp;Bible, script-editing \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision\/TVA<\/em>&nbsp;\u2013 Dir. Fran\u00e7ois B\u00e9gin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 &#8211; <strong>\u00c9TIENNE BOULAY<\/strong>&nbsp;(TV series in development) \u2013&nbsp;<em>Zone 3<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 &#8211; <strong>CAVALIERS<\/strong>&nbsp;(TV series in development) \u2013 Bible, script consultant \u2013&nbsp;<em>Trio Orange<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 &#8211; <strong>LE STUDIO<\/strong>&nbsp;(In development) \u2013 Bible \u2013&nbsp;<em>Groupe Fair-Play<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 &#8211; <strong>TRUE LOV<\/strong>&nbsp;(Non-spoken comedy in development) \u2013 6 x 30 min. \u2013&nbsp;<em>ComediHa!<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018-2013 &#8211; <strong>DEMAIN DES HOMMES<\/strong>&nbsp;(TV series) \u2013 10 x 60 min. \u2013&nbsp;<em>Melenny<\/em><br>Dir. Yves Christian Fournier<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 &#8211; <strong>LES JEUNES LOUPS II<\/strong>&nbsp;(TV series)<br>10 x 60 min. \u2013&nbsp;<em>Attraction Images<\/em>&nbsp;\u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 &#8211; <strong>KRACH<\/strong>&nbsp;(TV series) \u2013 3 episodes \u2013&nbsp;<em>Amalga Cr\u00e9ations<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 &#8211; <strong>Y MEURT \u00c0 FIN<\/strong>&nbsp;(Feature film) \u2013&nbsp;<em>Les Films Vision 4<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014-2013 &#8211; <strong>DEVENIR UN HOMME<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>Pixcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 &#8211; <strong>R.I.P.<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>Kiwi Animation<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 &#8211; <strong>IL NE FAUT PAS PARLER DANS L\u2019ASCENSEUR<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>Lusio Films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 &#8211; <strong>LA MAISON M\u00c8RE<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>Cirrus<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011 &#8211; <strong>LA GRANDE AUTIDION<\/strong>&nbsp;(Variety) \u2013&nbsp;<em>Pixcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010 &#8211; <strong>LES VEUFS&nbsp;<\/strong>(Feature film) \u2013&nbsp;<em>Figura Films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009 &#8211; <strong>LES IMAGIN\u00c9S<\/strong>&nbsp;(Feature film) \u2013&nbsp;<em>Les Films Vision 4<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008 &#8211; <strong>LE MONDE AU BALCON<\/strong>&nbsp;(TV series) \u2013 Writing team \u2013&nbsp;<em>EGM<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 &#8211; <strong>LE JOUR O\u00d9 LA FIN DU MONDE EST ARRIV\u00c9E<\/strong>&nbsp;(Feature film) \u2013&nbsp;<em>Les Films Vision 4<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006-2004 &#8211; <strong>BELLE-BAIE<\/strong>&nbsp;(TV series) \u2013 Bible, episodes 1 to 6 \u2013&nbsp;<em>Cirrus, Phare-Est\/SRC<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 &#8211; <strong>LA PROMESSE II<\/strong>&nbsp;(TV series) \u2013 Episodes 20 to 26 \u2013&nbsp;<em>Point de Mire\/TVA<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 &#8211; <strong>LE JOUR O\u00d9 FANNY S\u2019EST R\u00c9VEILL\u00c9E<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>\u00c9quipe Spectra<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 &#8211; <strong>LE TUNNEL<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>Cirrus<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 &#8211; <strong>J\u2019AIME LES FILLES<\/strong>&nbsp;(TV series) \u2013&nbsp;<em>\u00c9quipe Spectra<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 &#8211; <strong>LA PARADE<\/strong>&nbsp;(Feature film) \u2013&nbsp;<em>Cirrus<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:28px\">Other Experience<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2018 &#8211; <strong>\u00c9NH<\/strong>&nbsp;\u2013 Teaching<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2011 &#8211; <strong>RFAVQ<\/strong>&nbsp;\u2013 Teaching<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since 2003 &#8211; <strong>INIS<\/strong>&nbsp;&#8211; Teaching<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008-2003 &#8211; <strong>T\u00c9L\u00c9FILM CANADA &amp; SODEC<\/strong><br>External analyst \u2013 Selection of feature film in development and in production<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003-1997 &#8211; <strong>GROUPE TVA<\/strong><br>Director for Drama shows<br>Director of Acquisitions<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"featured_media":314,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[27],"class_list":["post-940","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/940","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":12,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/940\/revisions"}],"predecessor-version":[{"id":4519,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/940\/revisions\/4519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/314"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=940"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=940"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}