{"id":900,"date":"2024-05-14T15:28:05","date_gmt":"2024-05-14T19:28:05","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/andre-chamberland\/"},"modified":"2025-10-20T15:04:15","modified_gmt":"2025-10-20T19:04:15","slug":"andre-chamberland","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/andre-chamberland\/","title":{"rendered":"Chamberland, Andr\u00e9"},"content":{"rendered":"\n

Television<\/h2>\n\n\n\n
<\/div>\n\n\n\n

2025 – PRESCOTT I <\/strong>
Production designer \u2013 10 x 60 min. \u2013 Pixcom\/TVA<\/em> \u2013 Dir. Julien Hurteau<\/p>\n\n\n\n

2025-2024 – IND\u00c9FENDABLE IV<\/strong>
Production designer\u00a0\u2013 120 x 30 min. \u2013\u00a0Pixcom\/TVA<\/em>\u00a0\u2013 Dir. Various<\/p>\n\n\n\n

2025-2024 – IND\u00c9FENDABLE III<\/strong>
Production designer \u2013 120 x 30 min. \u2013 Pixcom\/TVA<\/em> \u2013 Dir. Various<\/p>\n\n\n\n

2024 – LA RECETTE DU BONHEUR<\/strong>
Production designer – 8 x 12 min. \u2013 Majika\/ICI Radio Canada<\/em> \u2013 Dir. St\u00e9phane Moukarzel<\/p>\n\n\n\n

2023-2022 \u2013 STAT I, II<\/strong>
Production designer \u2013 240 x 30 min. \u2013 Aetios\/ICI T\u00e9l\u00e9<\/em> \u2013 Dir. Various<\/p>\n\n\n\n

2023 \u2013 IND\u00c9FENDABLE II<\/strong>
Production designer \u2013 120 x 30 min. \u2013 Pixcom\/TVA \u2013 <\/em>Dir. Various<\/p>\n\n\n\n

2022 \u2013 FALSE PROPHET <\/strong>(TV movie)
Production designer \u2013 Muse Entertainment\/Lifetime<\/em> \u2013 Dir. John L\u2019Ecuyer<\/p>\n\n\n\n

2022 \u2013 DOUBLE FAUTE<\/strong>
Production designer \u2013 8 x 60 min. \u2013 KOTV <\/em>\u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n

2022 \u2013 IND\u00c9FENDABLE I<\/strong>
Production designer \u2013 120 x 30 min. \u2013 Pixcom\/TVA \u2013 <\/em>Dir. Various<\/p>\n\n\n\n

2021 \u2013 82 JOURS<\/strong>
Associate producer, art director \u2013 Blimp T\u00e9l\u00e9\/TVA<\/em> \u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n

Nomination, best documentary series: history, politics and economy, G\u00e9meaux Awards 2022<\/p>\n\n\n\n

2021 \u2013 LE CAMPUS<\/strong>
Art director \u2013 13 x 30 min. \u2013 Duo Productions\/Productions La Fac<\/em> \u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

2021 \u2013 CHRISTMAS IN MY HEART<\/strong> (TV movie)
Production designer \u2013 Productions LSFN\/Hallmark Movies & Mystery\/MarVista Entertainment <\/em>\u2013 Dir. Pat Kiely<\/p>\n\n\n\n

Nomination, best production design \u2013 tv movie or miniseries, DGC Awards 2022<\/p>\n\n\n\n

2020 \u2013 SWEPT UP BY CHRISTMAS <\/strong>(TV movie)
Art director \u2013 Half a Carafe Productions ULC\/Hallmark<\/em> \u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

2020-2019 \u2013 PASSE-PARTOUT I, II, III<\/strong>
Production designer \u2013 Attraction Images\/T\u00e9l\u00e9-Qu\u00e9bec \u2013 Dir. Alain Jacques<\/p>\n\n\n\n

Nomination, best production design: fiction, G\u00e9meaux Awards 2021
Nomination, best production design: fiction, G\u00e9meaux Awards 2019<\/p>\n\n\n\n

2019-2016 \u2013 DISTRICT 31 I, II, III, IV<\/strong>
Aetios\/SRC<\/em> \u2013 Dirs. Various<\/p>\n\n\n\n

Best annual drama series, G\u00e9meaux Awards 2021
Audience award (favourite TV series), G\u00e9meaux Awards 2019
Best daily drama series, G\u00e9meaux Awards 2019
Jean-Besr\u00e9 special team award, G\u00e9meaux Awards 2017<\/p>\n\n\n\n

2019 \u2013 VICTOR LESSARD III<\/strong>
Production designer \u2013 10 x 42 min. \u2013 Pixcom\/Club Illico<\/em> \u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n

2019-2018 \u2013 RUPTURES IV, V<\/strong>
24 x 43 min. \u2013 Aetios\/SRC<\/em> \u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n

2018 \u2013 CLASH<\/strong>
48 x 22 min. \u2013 Aetios\/Vrak\/Super \u00c9cran<\/em> \u2013 Dir. Simon Barrette<\/p>\n\n\n\n

2018 \u2013 BIG TOP ACADEMY<\/strong>
Production designer \u2013 26 x 30 min. \u2013 Apartment 11\/TVO\/Discovery\/Cirque du soleil<\/em> \u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n

2018 \u2013 CHEVAL SERPENT II<\/strong>
10 x 43 min. \u2013 Aetios\/SRC <\/em>\u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n

2017 \u2013 LE SI\u00c8GE<\/strong>
Production designer \u2013 6 x 60 min. \u2013 Attraction Images\/SRC \u2013 Dir. Jim Donovan<\/em><\/p>\n\n\n\n

2016 \u2013 \u00c7A D\u00c9COLLE !<\/strong>
Production designer \u2013 13 x 30 min. \u2013 Attraction Images\/V T\u00e9l\u00e9<\/em><\/p>\n\n\n\n

2016 \u2013 FATALE-STATION<\/strong>
Production designer \u2013 10 x 60 min. \u2013 Attraction Images\/Tou.TV <\/em>\u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n

2016 \u2013 WEB TH\u00c9RAPIE I, II<\/strong>
Production designer \u2013 22 x 30 min. & web for season 2 \u2013 Attraction Images<\/em> \u2013 Dir. Christian Laurence<\/p>\n\n\n\n

2015 \u2013 S\u00c9QUELLES<\/strong>
Production designer \u2013 6 x 60 min. \u2013 Attraction Images\/S\u00e9ries +<\/em> – Dir. Louis B\u00e9langer<\/p>\n\n\n\n

Nomination, best production design: fiction, G\u00e9meaux Awards 2016<\/p>\n\n\n\n

2015 \u2013 LES JEUNES LOUPS II<\/strong>
Production designer \u2013 10 x 60 min. \u2013 Attraction Images\/TVA<\/em> \u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n

2014 \u2013 30 VIES IV<\/strong>
120 x 22 min. \u2013 Aetios\/SRC<\/em> \u2013 Dirs. Various<\/p>\n\n\n\n

2014-2012 TRAUMA IV, V<\/strong>
22 x 45 min. \u2013 Aetios\/SRC<\/em> \u2013 Dir. Fran\u00e7ois Gingras<\/p>\n\n\n\n

Nomination, best production design: TV series, DGC Awards 2015<\/p>\n\n\n\n

2014-2012 \u2013 UNIT\u00c9 9<\/strong>
24 x 45 min. \u2013 Aetios\/SRC<\/em> \u2013 Dir. Jean-Philippe Duval<\/p>\n\n\n\n

2013 \u2013 TIME OF DEATH <\/strong>(TV movie)
Incendo Media<\/em> \u2013 Dir. Fr\u00e9d\u00e9rick D\u2019Amours<\/p>\n\n\n\n

Best production design\/art direction: TV movie or miniseries, DGC Awards 2014<\/p>\n\n\n\n

2012 \u2013 WILLED TO KILL<\/strong> (TV movie)
Incendo Media<\/em> \u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

Nomination, best production design\/art direction: TV movie or miniseries, DGC Awards 2013<\/p>\n\n\n\n

2012 \u2013 CRISIS POINT<\/strong> (TV movie)
Incendo Media<\/em> \u2013 Dir. Adrian Wills<\/p>\n\n\n\n

2012 \u2013 DO NO HARM<\/strong> (TV movie)
Incendo Media<\/em> \u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

2011 \u2013 STEALING PARADISE<\/strong> (TV movie)
Incendo Media <\/em>\u2013 Dir. Tristan Dubois<\/p>\n\n\n\n

2011 \u2013 WANDERING EYE <\/strong>(TV movie)
Incendo Media <\/em>\u2013 Dir. Fran\u00e7ois Dompierre<\/p>\n\n\n\n

2010 \u2013 DEAD LINES<\/strong> (TV movie)
Incendo Media<\/em> \u2013 Dir. Louis B\u00e9langer<\/p>\n\n\n\n

2010 \u2013 PERFECT PLAN<\/strong> (TV movie)
Incendo Media<\/em> \u2013 Dir. Tristan Dubois<\/p>\n\n\n\n

2009 \u2013 HIDDEN CRIMES<\/strong> (TV movie)
Incendo Productions <\/em>\u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

2009 \u2013 LESSON OF FEAR<\/strong> (TV movie)
Incendo<\/em> \u2013 Dir. Jean-Claude Lord<\/p>\n\n\n\n

2005-2004 \u2013 15\/LOVE<\/strong>
26 x 30 min. \u2013 Galafilm\/Telefactory<\/em> \u2013 Dirs. Various<\/p>\n\n\n\n

Nomination, outstanding team achievement: TV series\/comedy, DGC Awards 2005<\/p>\n\n\n\n

2001 \u2013 F\u00caTES FATALES<\/strong>
13 x 22 min. \u2013 Zone 3\/T\u00e9l\u00e9-Qu\u00e9bec<\/em> \u2013 Dirs. Various<\/p>\n\n\n\n

2001 \u2013 HYSTERIA<\/strong> (TV movie)
Viacom\/VH1 Television<\/em> \u2013 Dir. Robert Mandel<\/p>\n\n\n\n

2000 \u2013 XCHANGE<\/strong> (TV movie)
Coolbrook Media\/HBO\/Trimark Pictures<\/em> \u2013 Dir. Alan Moyle<\/p>\n\n\n\n

2000 \u2013 RACE AGAINST <\/strong>TIME (TV movie)
Turner Network Television<\/em> \u2013 Dir. Geoff Murphy<\/p>\n\n\n\n

\n\n\n\n

Longs m\u00e9trages<\/h2>\n\n\n\n
<\/div>\n\n\n\n

2025 – LA DAME BLANCHE<\/strong>
Production designer \u2013 Mia Productions<\/em> \u2013 Dir. Maryanne Z\u00e9hil<\/p>\n\n\n\n

2023 \u2013 1989<\/strong>
Production designer \u2013 Couture Production<\/p>\n\n\n\n

2021 \u2013 YOU CAN LIVE FOREVER<\/strong>
Art director \u2013 Prospector Films<\/em> \u2013 Dirs. Mark Slutsky & Sarah Watts<\/p>\n\n\n\n

2020 \u2013 A TIMELESS CHRISTMAS<\/strong>
Production designer \u2013 ATC Productions ULC\/Hallmark<\/em> \u2013 Dir. Patrick Kiely<\/p>\n\n\n\n

2019 \u2013 BEANS<\/strong>
Production designer \u2013 EMA Films <\/em>\u2013 Dir. Tracey Deer<\/p>\n\n\n\n

Best film, France T\u00e9l\u00e9visions \u00ab Des Images et des Elles \u00bb Award, Festival international de films de femmes 2022
Best production design, DGC Awards 2021
Best Canadian film, Canadian Screen Awards 2021
Best film, Crystal Bear, generation Kplus, Berlin International Film Festival 2021
Official selection, TIFF & RVCQ<\/p>\n\n\n\n

2018 \u2013 UNE MANI\u00c8RE DE VIVRE<\/strong>
Production designer \u2013 Lycaon Pictures\/L\u2019atelier de distribution de films<\/em> \u2013 Dir. Micheline Lanct\u00f4t<\/p>\n\n\n\n

2018 \u2013 LA CHUTE DE SPARTE<\/strong>
Art director \u2013 Parallaxes <\/em>\u2013 Dir. Tristan Dubois<\/p>\n\n\n\n

2009 \u2013 A FLESH OFFERING<\/strong>
Production Jeux d\u2019Ombres\/Filmoption International\/Super Channel<\/em> \u2013 Dir. Jeremy Torrie<\/p>\n\n\n\n

2004 \u2013 PREMIER JUILLET<\/strong>
INIS\/Alliance Atlantis Vivafilm<\/em> \u2013 Dir. Philippe Gagnon<\/p>\n\n\n\n

2002 \u2013 SWINDLE<\/strong>
Lee Faulkner Productions\/Lionsgate Home Entertainment<\/em> \u2013 Dir. K.C. Bascombe<\/p>\n\n\n\n

2002 \u2013 TIMELINE<\/strong>
Supervising art director \u2013 Paramount Pictures\/UIP France<\/em> \u2013 Dir. Richard Donner<\/p>\n\n\n\n

2001 \u2013 ONE-EYED KING<\/strong>
A-List Productions\/Lionsgate<\/em> \u2013 Dir. Robert Moresco<\/p>\n\n\n\n

2000 \u2013 WHERE THE MONEY IS<\/strong>
Scotfree\/Gramercy Pictures\/Universal Pictures <\/em>\u2013 Dir. Marek Kanievska<\/p>\n\n\n\n

2000 \u2013 THE WHOLE NINE YARDS<\/strong>
Art director \u2013 Franchise Pictures\/Warner Brothers Pictures<\/em> \u2013 Dir. Jonathan Lynn<\/p>\n","protected":false},"featured_media":276,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[26],"class_list":["post-900","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-production-design"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/900","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":14,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/900\/revisions"}],"predecessor-version":[{"id":4550,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/900\/revisions\/4550"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/276"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=900"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=900"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}