{"id":5243,"date":"2026-03-24T17:57:33","date_gmt":"2026-03-24T21:57:33","guid":{"rendered":"https:\/\/omada.ca\/?post_type=repertoire&p=5243"},"modified":"2026-03-25T17:43:52","modified_gmt":"2026-03-25T21:43:52","slug":"landry-kevin-t","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/landry-kevin-t\/","title":{"rendered":"Landry, Kevin T."},"content":{"rendered":"

Long Feature<\/span><\/h2>\n

 <\/p>\n

2026 – HOW I BECAME NATIVE <\/b>(Documentary in pre-production)
\n<\/b>Director, co-writer \u2013 Urbania\/ T\u00e9l\u00e9-Qu\u00e9bec<\/i><\/p>\n

2023 – JOUR DE MERDE (A Shit Day)
\n<\/b>Director, writer, editor \u2013 La 115e\/K\u00e9lyna N. Lauzier and Macha Houssart<\/i><\/p>\n

Gilles-Carle Award – Best 1st ou 2nd feature: 41st Rendez-Vous Qu\u00e9bec Cin\u00e9ma , 41e Rendez-Vous Qu\u00e9bec Cin\u00e9ma, 2024
\n<\/span>Jury Award – Best Feature, Edmonton International Film festival 2023, Bremen Filmfest 2024 and Nevada City Film Festival 2024
\n<\/span>Best Actress (Eve Ringuette), Festival Fantasporto, 2024<\/span><\/p>\n

2021 – PREMI\u00c8RE VAGUE (First Wave)
\n<\/b>Co-director, co-writer \u2013 Kino Montr\u00e9al\/Jarrett Mann<\/i><\/p>\n

Best fiction feature, R\u00e9al. Award, 2022<\/span><\/p>\n

\n

Television – Web series<\/span><\/h2>\n

 <\/p>\n

2026 – A DEADLY SCORE<\/b> (TV movie in postproduction)
\nEditor \u2013 Lifetime Television\/Reel One Entertainment<\/i><\/p>\n

2025 – MUKBANG<\/b> (Web series)
\n8 episodes – Director, co-writer \u2013 Babel Films\/ICI TOU.TV<\/i><\/p>\n

2023 – SUR LE POUCE VI & VII<\/b> (TV series – Magazine)
\nDirector-editor \u2013 Trio Orange\/Zeste<\/i><\/p>\n

2020 – N\u2019ARR\u00caTE PAS TON CIRQUE<\/b> (Web Series – Documentary)
\nDirector, writer \u2013 \u00c9cole Nationale de Cirque<\/i><\/p>\n

2019 – ET PUIS, AM\u00c9LIE EST PARTIE (And then\u2026 Amelie left) <\/b>(Web Series)
\n6\u00a0 <\/span>episodes – Director, co-writer \u2013 SPORT\/Johannie Deschambault\/Unis.tv\u00a0 \u00a0<\/span><\/i><\/p>\n

Best international series Copenhagen Web Fest, 2019<\/span>
\nBest screenplay\/Best actress (Marie-Eve Milot), Digital Media Fest, 2020<\/span><\/p>\n

2019 – ANATOMIE DES FAUSSES NOUVELLES <\/b>(Web Series – Documentary)
\nDirector – editor – Savoir M\u00e9dias<\/i><\/p>\n

2019 – TOP 10 INSOLITE <\/b>(TV series – Magazine)
\n13 x 45 min. – Director – editor \u2013 Trio Orange\/\u00c9vasion\u00a0<\/i><\/p>\n

Nomination, Best magazine (Lifestyle), Prix G\u00e9meaux, 2020<\/span><\/p>\n

2019 – COMBIEN VAUT CETTE MAISON I, II & III <\/b>(TV series – Game)
\n13 x 45 min. – Director, Editor \u2013 Trio Orange\/CASA\u00a0<\/i><\/p>\n

Nomination, Best directing (Game Show), Prix G\u00e9meaux, 2020<\/span><\/p>\n

2017 – AVEC OU SANS CASH I, III and IV <\/b>(TV series – Magazine)
\nDirector-editor \u2013 Trio <\/i>Orange\/\u00c9vasion\u00a0 \u00a0<\/span><\/i><\/p>\n

Nomination, Best magazine (Lifestyle) et Best directing (EFP), Prix G\u00e9meaux, 2018<\/span><\/p>\n

2017 – TOUT UN FESTIVAL! <\/b>(TV series – Magazine)
\nDirector-editor \u2013 Trio Orange\/\u00c9vasion\u00a0<\/i><\/p>\n

2016 – UN QU\u00c9B\u00c9COIS \u00c0 PARIS <\/b>(TV series – Magazine)
\nDirector-editor \u2013 Trio Orange\/\u00c9vasion<\/i><\/p>\n

2015 – BOUFFE EN CAVALE VI <\/b>(TV series – Magazine)
\nDirector-editor \u2013 Trin\u00f4me\/\u00c9vasion\u00a0<\/i><\/p>\n

2014 – CE SHOW\u2026 AVEC MIKE WARD <\/b>(Catherine \u00c9thier\u00a0 <\/span>shorts – Stand-up)
\nDirector, DOP, editor \u2013 MusiquePlus<\/i><\/p>\n

2012 – KWAD9 <\/b>(Web series – Youth Magazine)
\n13 x 45 min. – Director, DOP \u2013 Trin\u00f4me\/Sympatico\u00a0 \u00a0<\/span><\/i><\/p>\n

Nomination, Best digital series (Lifestyle magazine), Prix G\u00e9meaux, 2013<\/span><\/p>\n

2012 – LES APPENDICES PR\u00c9SENTENT : DR MEGALOBIO <\/b>(Browser game)
\nCo-writer – Trin\u00f4me\/ Productions Marie Brissette<\/i><\/p>\n

Nomination, Best interactive project (Comedy), Prix G\u00e9meaux, 2014<\/span>
\nNomination, Best convergence production (Comedy Variety), Prix Numix, 2013<\/span><\/p>\n

\n

Short films<\/span><\/h2>\n

 <\/p>\n

2026 – COUNTY BEAST\u00a0 <\/span><\/b>(In development)
\nDirector\/co-writer \u2013 Art & Essai<\/i><\/p>\n

2024 – NARRANEXT
\n<\/b>Co-director, co-writer \u2013 Kino Montr\u00e9al\/Andr\u00e9anne Poisson-Robert and Kevin T. Landry <\/i><\/p>\n

Honorable mention – Best directing, Fantastiques weekends, 2024<\/span><\/p>\n

2021 – PICBOIS
\n<\/b>Director, writer \u2013 La 115e\/K\u00e9lyna N. Lauzier and Macha Houssart <\/i><\/p>\n

Bravo Charlie Award, 18e Gala Prend \u00e7a court
\n<\/i>Jury Special mention, Festival Friss Hus Budapest, 2022<\/span><\/p>\n

2021 – MINE DE RIEN
\n<\/b>Director, writer, editor \u2013 Off-Courts<\/i><\/p>\n

2021 – MARIE, SEULE AVEC SA MARIONNETTE
\n<\/b>Director, producer, writer, editor \u2013 Off-Courts<\/i><\/p>\n

2019 – COCHE
\n<\/b>Director, writer \u2013 Kino Montr\u00e9al\/Kevin T. Landry\u00a0<\/i><\/p>\n

Audience Award, We Like \u2018Em Short 2021, Here KYIV Short Fest 2021<\/span><\/p>\n

2018 – FRETTE OU TABLETTE<\/b> (Documentary)
\nDirector, DOP, editor \u2013 SODECT\/\u00celes-des-Moulins <\/i><\/p>\n

2018 – LES INSENSIBLES
\n<\/b>Director co-producer, editor \u2013 Kino\u201900<\/i><\/p>\n

2017 – SANG PAPIER
\n<\/b>Director, co-writer, editor \u2013 Kino Montr\u00e9al\/Kevin T. Landry\u00a0<\/i><\/p>\n

Canadian short-film Award, Calgary Underground Film Festival, 2018<\/span>
\nAudience Award, Cinemental, Salem Horror Fest, Frissons du nord, Kannibal Fest<\/span><\/p>\n

2016 – ROBETH
\n<\/b>Director, co-writer, editor \u2013 Kino Montr\u00e9al\/Kevin T. Landry\u00a0<\/i><\/p>\n

Best short-film, Festival En route Air Canada, 2016<\/span><\/p>\n

2016 – WINDEX
\n<\/b>Director, writer, editor \u2013 Kino Montreal\/Kevin T. Landry <\/i><\/p>\n

2016 – 7 – SEVEN
\n<\/b>Writer \u2013 \u00c9ric Chauss\u00e9 (Producteur) – <\/i>Dir. Eric Chauss\u00e9<\/p>\n

2016 – VANILLE
\n<\/b>Director \u2013 Patrick Aubert (Producteur) – <\/i>Dir. Patrick Aubert<\/p>\n

2015 – TORTELLINI
\n<\/b>Director, editor \u2013 L\u2019INIS\/Patrick Martin and Isabelle Panet-Raymond<\/i><\/p>\n

2015 – L\u2019IDOLE
\n<\/b>Director, DOP, editor \u2013 L\u2019INIS <\/i><\/p>\n

2014 – SEUL(S)
\n<\/b>Director \u2013 L\u2019INIS\/Johannie Deschambault\u00a0<\/i><\/p>\n

Hors-norme T\u00e9l\u00e9-Qu\u00e9bec Award, Festival films \u00e9tudiants de Qu\u00e9bec, 2015
\nBest directing, Festival En route Air Canada, 2015
\n<\/span><\/p>\n

2014 – BRAQU\u00c9!<\/b>
\n<\/b>Director \u2013 L\u2019INIS\/Sophie Ricard-Harvey<\/i><\/p>\n

2013 – POUR MICHEL
\n<\/b>Director, writer \u2013 Koma Films\/Sandrine Berger<\/i><\/p>\n

2013 – WOODSTOCK \u201869
\n<\/b>Director, writer, editor \u2013 Kino Paname<\/i><\/p>\n

2012 – UNE PENS\u00c9E POUR ROBERT
\n<\/b>Director, writer, editor \u2013 Kino Montreal\/Kevin T. Landry<\/i><\/p>\n

2012 – B\u00c9LANGER CONTRE LE RIDEAU
\n<\/b>Director, producer, writer, editor<\/p>\n

2010 – GUEULE DE BOIS
\n<\/b>Director, writer, editor \u2013 Kino Montreal\/Kevin T. Landry\u00a0<\/i><\/p>\n

Best Actor (Maxime Desjardins), Courts DIY Qu\u00e9b\u00e9cois, Festival Fantasia, 2011<\/span><\/p>\n

\n

Publicity<\/span><\/h2>\n

 <\/p>\n

2012 – CAMPAIGN \u00ab LE FRAN\u00c7AIS AU QU\u00c9BEC, J\u2019Y CONTRIBUE \u00bb
\n<\/b>Writer \u2013 Conseil Sup\u00e9rieur de la Langue Fran\u00e7aise <\/i><\/p>\n","protected":false},"featured_media":5242,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[24,23,27],"class_list":["post-5243","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director","cat-repertoire-editing","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/5243","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":12,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/5243\/revisions"}],"predecessor-version":[{"id":5275,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/5243\/revisions\/5275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/5242"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=5243"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=5243"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}