{"id":1365,"date":"2024-05-23T08:38:31","date_gmt":"2024-05-23T12:38:31","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/louis-belanger\/"},"modified":"2026-06-16T19:55:51","modified_gmt":"2026-06-16T23:55:51","slug":"louis-belanger","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/louis-belanger\/","title":{"rendered":"B\u00e9langer, Louis"},"content":{"rendered":"\r\n<p class=\"wp-block-paragraph\">Knight of the French Republic\u2019s Order of Arts and Letters<br \/>Guest of Honour at the 2020 CINEMANIA Festival<\/p>\r\n\r\n\r\n<hr \/>\r\n\r\n\r\n<h2 class=\"wp-block-heading\">Feature Films<\/h2>\r\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 20px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2026 &#8211; <strong>125, RUE DES MALAISE<\/strong><br \/>Director \u2013 <em>Cin\u00e9maginaire\/TVA Films<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>AVIS DE TEMP\u00caTE<\/strong><br \/>Screenwriter \u2013 <em>IDL Films<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> KANUN<\/strong><br \/>Screenwriter \u2013 <em>Bravo Charlie<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2019 \u2013<strong> VIVRE \u00c0 100 MILLES \u00c0 L\u2019HEURE<\/strong><br \/>Screenwriter, director \u2013 <em>Lyla Films\/Les Films Opale<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-634e5de15e63e490ea7203863ba70674 wp-block-paragraph\" style=\"color: #999999;\">Audience award, best feature film, Festival de cin\u00e9ma de la ville de Qu\u00e9bec (FVQC) 2019<br \/>Official selection, Festival du film francophone d\u2019Angoul\u00eame 2019<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>LES MAUVAISES HERBES<\/strong><br \/>Co-screenwriter, director \u2013<em> La Coop Vid\u00e9o de Montr\u00e9al\/Les Films S\u00e9ville<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-77b771158c17c5e7b0eb8e9c7c0a343b wp-block-paragraph\" style=\"color: #999999;\">Closing film, 48 images seconde Festival, Florac (France) 2018<br \/>Best script, Iris Award 2017<br \/>Nomination, best motion picture, Canadian Screen Awards 2017<br \/>Official selection, Festival international du film francophone Tubingen Stuttgart 2016<br \/>Official selection, Norrkoping Film Festival Flimmer 2016<br \/>Official selection, Festival international du film francophone de Namur 2016<br \/>Official selection, French Cinema Now 2016<br \/>Opening film, Festival du film canadien de Dieppe 2016<br \/>Valois du public, Festival du film francophone d\u2019Angoul\u00eame 2016<br \/>Valois du sc\u00e9nario, Festival du film francophone d\u2019Angoul\u00eame 2016<br \/>Official selection, International Sonoma Film Festival 2016<br \/>Official selection, Santa Barbara International Film Festival 2016<br \/>Official selection, Beijing International Film Fest 2016<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2011 \u2013 <strong>LOUIS MARTIN, JOURNALISTE <\/strong>(Documentary)<br \/>Director \u2013 <em>Cine Qua Non<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-4312d3beb1fe46f789161c0e48a16da4 wp-block-paragraph\" style=\"color: #999999;\">Official selection, Festival du nouveau cin\u00e9ma 2011<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2009 \u2013<strong> ROUTE 132<\/strong><br \/>Screenwriter, director \u2013 <em>Aetios\/Cin\u00e9maginaire\/Alliance Vivafilm<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-078541d755a5c6eac1b39f616bb3df2b wp-block-paragraph\" style=\"color: #999999;\">Nomination, best script, Genie Awards 2011<br \/>Opening film, Montreal World Film Festival 2010<br \/>Official competition, Festival international du film de Namur 2010<br \/>Official selection, Windsor International Film Festival 2010<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2009 \u2013 <strong>THE TIMEKEEPER<\/strong><br \/>Screenwriter, director \u2013 <em>La Coop Vid\u00e9o de Montr\u00e9al\/Les Films S\u00e9ville<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-dcc8112628fcd0150ea5723849f02638 wp-block-paragraph\" style=\"color: #999999;\">Official selection, Sao Paulo International Film Festival (Br\u00e9sil) 2009<br \/>Official selection, Shanghai International Film Festival (Chine) 2009<br \/>Official selection, Brooklyn International Film Festival (USA) 2009<br \/>Official selection, Tiburon International Film Festival (USA) 2010<br \/>Official selection, Hudson Film Festival (Canada) 2010<br \/>Official selection, Festival international du film en montagne d\u2019Autrans (France) 2010<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2006 \u2013<strong> LE G\u00c9NIE DU CRIME<\/strong><br \/>Director \u2013 <em>\u00c9ditions Lycaon Pictus\/ONF\/K-Films\/SRC<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-5c6d18d88434e81fcc85d6b24a22e7cc wp-block-paragraph\" style=\"color: #999999;\">Opening film, Festival du cin\u00e9ma international en Abitibi-T\u00e9miscamingue 2006<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2003 \u2013 <strong>GAZ BAR BLUES<\/strong><br \/>Screenwriter, director \u2013 <em>La Coop Vid\u00e9o de Montr\u00e9al\/Film Tonic\/Alliance Vivafilm<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-776b106e45a599864e67c5dc7339061c wp-block-paragraph\" style=\"color: #999999;\">Nomination, best script, Genie Awards 2004<br \/>Press circle award, Festival du film de Paris 2004<br \/>Association qu\u00e9b\u00e9coise des critiques de cin\u00e9ma (AQCC) Award 2004<br \/>Audience award, Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois 2004<br \/>Nominations, best film, best directing, best script, Jutra Awards 2003<br \/>Jury special grand prize, oecumenical prize, most popular Canadian film, 2nd Air Canada audience award, Montreal World Film Festival 2003<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2000 \u2013<strong> LAUZON LAUZONE<\/strong> (Documentary)<br \/>Director \u2013<em> Lyla Films\/Film Tonic<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-1b73dcef201ebaa937176f8850afe56f wp-block-paragraph\" style=\"color: #999999;\">Best documentary, G\u00e9meaux Awards 2002<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">1999 \u2013 <strong>POST MORTEM<\/strong><br \/>Screenwriter, director \u2013 <em>La Coop Vid\u00e9o de Montr\u00e9al\/Film Tonic<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-adc60670ca4e9224d7a5289291397979 wp-block-paragraph\" style=\"color: #999999;\">Best new director, best script, Genie Awards 2000<br \/>Best feature-length script, Method Film Fest (San Diego) 2000<br \/>Best directing, best film, best script, Jutra Awards 2000<br \/>Independent Voice award, Artistic Merit award, Santa Barbara Fest 2000<br \/>Best feature film, Association qu\u00e9b\u00e9coise des critiques de cin\u00e9ma (AQCC) 1999<br \/>Best directing, Montreal World Film Festival 1999<br \/>Special jury mention (FIPRESCI), International Critic<\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<h2 class=\"wp-block-heading\">Television<\/h2>\r\n<h2>\r\n\r\n<\/h2>\r\n<div class=\"wp-block-spacer\" style=\"height: 20px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2023 \u2013 <strong>B\u00caTE NOIRE II<\/strong><br \/>Director \u2013 6 x 60 min \u2013 <em>Encore T\u00e9l\u00e9vision\/S\u00e9rie Plus<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>ANNA ET ARNAUD<\/strong><br \/>Director \u2013 8 x 60 min \u2013 <em>Pixcom\/TVA<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2016 \u2013<strong> S\u00c9QUELLES<\/strong><br \/>Director \u2013 6 episodes \u2013 <em>Attraction Images\/S\u00e9ries plus<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2014 \u2013<strong> EN TH\u00c9RAPIE II<\/strong><br \/>Director \u2013 35 episodes \u2013 <em>Attraction Images\/S\u00e9ries plus\/TV5<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-9cc0578ea1ea7f540ce0aa2e6866fa59 wp-block-paragraph\" style=\"color: #999999;\">Nomination, best directing: drama series (27+ episodes), G\u00e9meaux Awards 2015<br \/>NUMIX Award, convergence: variety and drama<\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2010 \u2013 <strong>DEAD LINES<\/strong> (TV movie)<br \/>Director \u2013 <em>Incendo\/TMN\/Hallmark<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2006 \u2013<strong> LES 4 COINS<\/strong><br \/>Director \u2013 1 episode \u2013 <em>Productions Les 4 Coins\/SRC<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2005 \u2013<strong> LIES AND DECEPTION<\/strong> (TV movie)<br \/>Director \u2013<em> J.B. Media\/Cypress Point\/TMN\/Lifetime\/Super \u00c9cran<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2004 \u2013 <strong>LA CHAMBRE NO. 13<\/strong><br \/>Director \u2013 1 episode \u2013 <em>Productions des ann\u00e9es lumi\u00e8res\/SRC<\/em><\/p>\r\n<h2>\r\n\r\n<\/h2>\r\n<p class=\"wp-block-paragraph\">2003 \u2013 <strong>VIEW OF TERROR (NIGHT LIGHT)<\/strong> (TV movie)<br \/>Director \u2013 <em>J.B. Media\/TMN\/Hearst Entertainment<\/em><\/p>\r\n<hr \/>\r\n<h2 class=\"wp-block-heading\">Web &amp; Multimedia<\/h2>\r\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 20px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2016 \u2013<strong> WEST TRAINZ <\/strong>(Multimedia show)<br \/>Co-director with Erik West Millette \u2013<em> L-Abe<\/em><\/p>\r\n\r\n\r\n\r\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-c0e551f55c4f5ba3d9d5fecb300ab9eb wp-block-paragraph\" style=\"color: #999999;\">Nomination (Erik West Millette), Multimedia staging and scenography of the year, ADISQ 2017<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>EN TH\u00c9RAPIE II <\/strong>(Webseries)<br \/>Director \u2013 28 web episodes \u2013 <em>Attraction Images<\/em><\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<h2 class=\"wp-block-heading\">Other<\/h2>\r\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 20px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Louis B\u00e9langer is part of many boards of directors and cultural organizations in the field of cinema and television:<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">Present-2013 \u2013 <strong>SACD<\/strong><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2020-2019 \u2013 <strong>FESTIVAL DU NOUVEAU CIN\u00c9MA DE MONTR\u00c9AL<\/strong><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2019-1988 \u2013<strong> MEMBRE ET ADMINISTRATEUR DE LA COOP VID\u00c9O DE MONTR\u00c9AL<\/strong><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2004-2002 \u2013 <strong>CIN\u00c9MATH\u00c8QUE QU\u00c9B\u00c9COISE<\/strong><\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2001-2000 \u2013<strong> RENDEZ-VOUS DU CIN\u00c9MA QU\u00c9B\u00c9COIS<\/strong><\/p>\r\n\r\n\r\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\r\n\r\n\r\n<h2 class=\"wp-block-heading\">Teaching &amp; Conferences<\/h2>\r\n\r\n\r\n\r\n<div class=\"wp-block-spacer\" style=\"height: 20px;\" aria-hidden=\"true\">\u00a0<\/div>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2021-2008 \u2013 <strong>UQ\u00c0M<\/strong><br \/>Professor<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2021-2008 \u2013<strong> UQ\u00c0C<\/strong><br \/>Professor<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2021-2009 \u2013<strong> INIS<\/strong><br \/>Member of the pedagogical committee, professor<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>FESTIVAL CIN\u00c9MANIA<\/strong><br \/>Virtual masterclass<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>NATIONAL ASSEMBLY<\/strong><br \/>Conference at the Maison du Peuple<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>BOGOTA PONTICIFIA JAVERIANA UNIVERSITY <\/strong>(Colombia)<br \/>Masterclass<\/p>\r\n\r\n\r\n\r\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>MIDDLERBURY UNIVERSITY<\/strong> (Vermont)<br \/>Masterclass<\/p>\r\n","protected":false},"featured_media":5431,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[24,27],"class_list":["post-1365","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":12,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1365\/revisions"}],"predecessor-version":[{"id":5504,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1365\/revisions\/5504"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/5431"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1365"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}