{"id":1320,"date":"2024-05-22T13:56:32","date_gmt":"2024-05-22T17:56:32","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/stephanie-weber-biron\/"},"modified":"2025-10-20T14:22:26","modified_gmt":"2025-10-20T18:22:26","slug":"stephanie-weber-biron","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/stephanie-weber-biron\/","title":{"rendered":"Weber-Biron, St\u00e9phanie"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2025 &#8211; <strong>PAQUET DE TROUBLES<\/strong> (Feature film) <br>Les Films du Voilier Productions\u00a0&#8211; Dir. Myriam Guimond<\/p>\n\n\n\n<p>2025 &#8211; <strong>JUSTE XAVIER<\/strong> (Feature film) <br>Productions E Point \u2013 Dir. St\u00e9phane E. Roy<\/p>\n\n\n\n<p>2024 &#8211; <strong>BLUEBERRY GRUNT <\/strong>(Feature film)<br><em>Bleuet Films Inc. <\/em>\u2013 Dir. Sherry White<\/p>\n\n\n\n<p>2023 \u2013 <strong>LE TEMPS DES FRAMBOISES II<\/strong> (TV Series)<br><em>Trio Orange\/TVA\/Club Illico<\/em> \u2013 Dir. Guillaume Lonergan<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-3aa7d8a7214e3dd4f6f32cffba6b156d\" style=\"color:#999999\">Nomination, best cinematography: fiction, G\u00e9meaux Awards 2025<\/p>\n\n\n\n<p>2022 \u2013 <strong>MITO<\/strong> (Feature film)<br><em>Mam Film (Tokyo)<\/em> \u2013 Dir. Daisuke Miyazaki<\/p>\n\n\n\n<p>2022 \u2013 <strong>PARTY PIRATE <\/strong>(Feature film)<br><em>Party Pirate Films<\/em> \u2013 Dir. Ruth Lawrence<\/p>\n\n\n\n<p>2022 \u2013<strong> WONG &amp; WINCHESTER<\/strong> (TV Series)<br>6 x 60 min. \u2013 <em>Pixcom\/CityTV <\/em>\u2013 Dir. Stephan Beaudoin<\/p>\n\n\n\n<p>2021 \u2013<strong> LIGNES DE FUITE <\/strong>(Feature film)<br><em>Cin\u00e9maginaire <\/em>\u2013 Dirs. Miryam Bouchard &amp; Catherine Chabot<\/p>\n\n\n\n<p>2021 \u2013 <strong>VFC<\/strong> (Feature film)<br><em>La Maison de Prod<\/em> \u2013 Dir. Charles St\u00e9phane Roy<\/p>\n\n\n\n<p>2020 \u2013<strong> M\u2019ENTENDS TU? III <\/strong>(TV Series)<br><em>Trio Orange<\/em> \u2013 Dir. Guillaume Lonergan<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-1f73593fc337c55214438a00624abdec\" style=\"color:#999999\">Nomination, best cinematography: fiction, G\u00e9meaux Awards 2021<\/p>\n\n\n\n<p>2020 \u2013<strong> NADIA BUTTERFLY<\/strong> (Feature film)<br><em>Nemesis Films\/Maison 4:3<\/em> \u2013 Dir. Pascal Plante<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-752ab25311c0c38a9881f53618ec3ba2\" style=\"color:#999999\">Nomination, best cinematography, Canadian Screen Awards<br>World premiere, Cannes Film Festival<\/p>\n\n\n\n<p>2019 \u2013 <strong>DAD<\/strong> (Feature film)<br><em>Friction Films\/Tublife<\/em><strong> <\/strong>\u2013 Dir. Vladimir Bilenjki<\/p>\n\n\n\n<p>2019 \u2013 <strong>LITTLE ORPHANS<\/strong> (Feature film)<br><em>Blue Pinion Films <\/em>\u2013 Dir. Ruth Lawrence<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-8ea1df45d6e5ff65542bd8299b67fe85\" style=\"color:#999999\">Best film, VIFF<\/p>\n\n\n\n<p>2018 \u2013 <strong>LES BOGUES DE LA VIE<\/strong> (TV Series)<br><em>Encore\/Tou.TV <\/em>\u2013 Dir. Louis Bolduc<\/p>\n\n\n\n<p>2018 \u2013 <strong>SPINSTER <\/strong>(Feature film)<br><em>Sea Green Pictures <\/em>\u2013 Dir. Andrea Dorfman<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-12ab0511fab27ad6c2f8cac655940eda\" style=\"color:#999999\">World premiere, Whistler Film Festival<\/p>\n\n\n\n<p>2016 \u2013<strong> L\u00c2CHER PRISE<\/strong> (TV Series)<br>13 episodes \u2013 <em>Encore T\u00e9l\u00e9vision\/Ici Radio-Canada<\/em> \u2013 Dir. St\u00e9phane Lapointe<\/p>\n\n\n\n<p>2015 \u2013 <strong>HUNTING PIGNUT<\/strong> (Feature film)<br><em>Pope Productions Ltd<\/em> \u2013 Dir. Martine Blue<\/p>\n\n\n\n<p>2015 \u2013<strong> THE SAVER<\/strong> (Feature film)<br><em>Prospector Films<\/em> \u2013 Dir. Wiebke von Carolsfeld<\/p>\n\n\n\n<p>2015 \u2013<strong> THE FORBIDDEN ROOM<\/strong> (Feature film)<br><em>Buffalo Gal Pictures\/Phi Films<\/em> \u2013 Dir. Guy Maddin<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-2c051e39df54c3eb3f981e296c6a0d74\" style=\"color:#999999\">World premiere, Sundance Film Festival<br>Best film, Toronto Film Critics Association<\/p>\n\n\n\n<p>2015 \u2013 <strong>THE EMBARGO PROJECT \u2013 SEGMENT: ROBERTA<\/strong> (Feature film)<br><em>Violator Films\/Unikaat Studios\/Swyworld Productions\/Microclimat Films<\/em> \u2013 Dir. Caroline Monnet<\/p>\n\n\n\n<p>2014 \u2013 <strong>PERFECT SISTERS <\/strong>(Feature film)<br><em>Class Project Productions\/Gravitas Ventures<\/em> \u2013 Dir. Stan Brooks<\/p>\n\n\n\n<p>2013 \u2013 <strong>HEARTBEATS<\/strong> (Feature film)<br><em>Hey That\u2019s My Bike Films Inc.<\/em> \u2013 Dir. Andrea Dorfman<\/p>\n\n\n\n<p>2012 \u2013 <strong>STANDSTILL<\/strong> (Feature film)<br><em>Les Films de l\u2019Autre <\/em>\u2013 Dir. Majdi El-Omari<\/p>\n\n\n\n<p>2012 \u2013 <strong>HARD DRIVE<\/strong> (Feature film)<br><em>Picture Plant<\/em> \u2013 Dir. William D. MacGillivray<\/p>\n\n\n\n<p>2012 \u2013 <strong>BUDDHA\u2019S LITTLE FINGER <\/strong>(Feature film)<br><em>Am\u00e9rique Film\/Les Films S\u00e9ville\/Filmoption International <\/em>\u2013 Dir. Tony Pemberton<\/p>\n\n\n\n<p>2012 \u2013<strong> ALL THE WRONG REASONS<\/strong> (Feature film)<br><em>Strong Arm Pictures<\/em> \u2013 Dir. Gia Milani<\/p>\n\n\n\n<p>2011 \u2013 <strong>BLACKBIRD<\/strong> (Feature film)<br><em>Black Bird Inc. <\/em>\u2013 Dir. Jason Buxton<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-66afd135fc2fba4c9adbd1354199f89f\" style=\"color:#999999\">Best film, VIFF<br>Best first film, TIFF<\/p>\n\n\n\n<p>2010 \u2013<strong> LES AMOUS IMAGINAIRES <\/strong>(Feature film)<br><em>Mifilifilms\/Alliance Atlantis Vivafilm <\/em>\u2013 Dir. Xavier Dolan<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-2273da9bf065f2ecf4ea8c32e32c2c4e\" style=\"color:#999999\">Nomination, achievement in cinematography, G\u00e9nie Awards 2011<br>KODAK Award, best cinematography, Hamptons Film Festival 2010<br>Best cinematography, Festival du film de Ch\u00e2tenay-Malabry 2010<\/p>\n\n\n\n<p>2009 \u2013 <strong>J\u2019AI TU\u00c9 MA M\u00c8RE<\/strong> (Feature film)<br><em>Mifilifilms\/K Films <\/em>\u2013 Dir. Xavier Dolan<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-96dc7f050052a4c8c4f7c4ce77887a55\" style=\"color:#999999\">World premiere, Cannes Film Festival<\/p>\n\n\n\n<p>2008 \u2013 <strong>PENDANT CE TEMPS DEVANT LA T\u00c9L\u00c9<\/strong> (TV Series)<br><em>Avanti Cin\u00e9-Vid\u00e9o\/SRC <\/em>\u2013 Dirs. Carnior, Fran\u00e7ois Jobin &amp; Rafa\u00ebl Ouellet<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Documentary<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2024 &#8211; <strong>THE MUSE<\/strong><br><em>NFB<\/em> &#8211; Dir. Wanda Nolam<\/p>\n\n\n\n<p>2018 \u2013 <strong>R\u00caVEUSES DE VILLES (CITY DREAMERS) <\/strong>(Feature film)<br><em>Couzin Films\/Maison 4:3<\/em> \u2013 Dir. Joseph Hillel<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-9ff3a191c7076caad0000a719ca287be\" style=\"color:#999999\">World premiere, RIDM 2018<br>Nomination, best cinematography, Canadian Screen Awards<\/p>\n\n\n\n<p>2018 \u2013 <strong>UNE FEMME, MA M\u00c8RE<\/strong><br><em>Les Films de l\u2019Autre\/K-Films Am\u00e9rique<\/em> \u2013 Dir. Claude Demers<\/p>\n\n\n\n<p>2018 \u2013 <strong>YELLOW IS FORBIDDEN<\/strong> (Feature film)<br>Additional photography \u2013<em> Avrotros\/SVT\/Gaumont-Path\u00e9<\/em> \u2013 Dir. Pietra Brettkelly<\/p>\n\n\n\n<p>2018 \u2013 <strong>CE SILENCE QUI TUE<\/strong> (Feature film)<br><em>Wabanok<\/em> \u2013 Dir. Kim O\u2019Bomsawin<\/p>\n\n\n\n<p>2017 \u2013 <strong>VIVRE LEUR VIE<\/strong><br><em>Intuitive Pictures\/Telefilm Canada<\/em> \u2013 Dir. Marie Jaury<\/p>\n\n\n\n<p>2017 \u2013 <strong>CEUX QUI VIENDRONT, L\u2019ENTENDRONT (THOSE WHO COME, WILL HEAR)<\/strong> (Feature film)<br>Co-DOP \u2013<em> Les Films de l\u2019Autre\/Les Films du 3 mars<\/em> \u2013 Dir. Simon Plouffe<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-028e8ad61d6887ce6540fe91fd53d702\" style=\"color:#999999\">Best documentary, Festival Ann Arbor<\/p>\n\n\n\n<p>2017 \u2013 <strong>REELS ON POINTE <\/strong>(Feature film)<br>Additional photography \u2013<em> Icarus Films <\/em>\u2013 Dir. Bobby Jo Hart<\/p>\n\n\n\n<p>2015 \u2013<strong> \u00c4IDIN TOIVE<\/strong><br>R\u00e9al. Joonas Bergh\u00e4ll (Finland)<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-678ca4f2c01e955952d2e848b31e27e1\" style=\"color:#999999\">World premiere, Zurich Film Festival<\/p>\n\n\n\n<p>2009 \u2013<strong> UN \u00c9T\u00c9 DE DANSE<\/strong><br><em>Dada <\/em>\u2013 Dir. St\u00e9phanie Weber-Biron<\/p>\n\n\n\n<p>2008 \u2013<strong> D\u2019EST EN OUEST<\/strong><br><em>Trin\u00f4me\/TV5<\/em> \u2013 Dirs. Various<\/p>\n\n\n\n<p>2006 \u2013 <strong>MTL PUNK \u2013 LA PREMI\u00c8RE VAGUE<\/strong><br><em>Peripheria Productions <\/em>\u2013 Dir. \u00c9rik Cimon<\/p>\n\n\n\n<p>2004 \u2013 <strong>SECRET LANGUAGE OF GIRLS<\/strong><br><em>Copie Z\u00e9ro <\/em>\u2013 Dir. Tara Johns<\/p>\n\n\n\n<p>2004 \u2013 <strong>SLUTS: THE DOCUMENTARY<\/strong><br><em>Arcadia Entertainment (Halifax) <\/em>\u2013 Dir. Andrea Dorfma<\/p>\n\n\n\n<p>2002 \u2013 <strong>UNLIKELY PILGRIMS<\/strong><br><em>Redhead Productions\/NFB<\/em> \u2013 Dir. Agata De Santis<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Short Films<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2025 &#8211; <strong>ITTY BITTY BETTY<\/strong><br>Dir. Laura Buchanan<\/p>\n\n\n\n<p>2024 &#8211; <strong>ALL THAT GRUMBLES<\/strong> (TOUT CE QUI GRONDE)<br><em>Objectif 9<\/em> &#8211; Dir. Eve Saint Louis<\/p>\n\n\n\n<p>2023 &#8211; <strong>MADELEINE<\/strong><br>Dir. Raquel Sancinetti \u00a0<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-f264a7bcfa012bbb584d17b1e1e6464c\" style=\"color:#999999\">Canadian Screen Award, best short documentary, Canadian Screen Awards 2024<br>Jury Prize, best Audience Award, shots competition, Monstra International Film Festival 2024\u00a0<br>Children\u2019s Jury Prize, short film, Montr\u00e9al International Children\u2019s Film Festival 2024<br>Special Mention, local jury award, Palm Springs International ShortFest 2024<br>Short Film Award, animation, Seattle International Film Festival 2024<br>Nomination, grand jury prize best documentary short, Slam dance Film Festival 2024<br>Grand Jury Award, short documentary, Edmonton International Film Festival 2023<br>Young Jury Award, Festival international du film d\u2019\u00c9ducation 2023<br>Best Canadian Short Film Jury Prize, best Canadian short film, Gimli Film Festival 2023<br>Prix Iris, best animated short film, Le Gala Qu\u00e9bec Cin\u00e9ma 2023<br>Meilleur court-m\u00e9trage qu\u00e9b\u00e9cois, best short film \u2013 Qu\u00e9bec, Les Perc\u00e9ides 2023<br>Prix du Public, best short, Les Sommets du cin\u00e9ma d\u2019animation festival international de Montr\u00e9al 2023<br>Prix du Meilleur Personnage, Canadian shorts, Les Sommets du cin\u00e9ma d\u2019animation festival international de Montr\u00e9al 2023<br>FIPRESCI Prize, best short film, Regard: Saguenay International Short Film Festival 2023<br>Grand Prix, international competition, Uppsala International Short Film Festival 2023<br>Audience Award, international competition, Uppsala International Short Film Festival 2023<\/p>\n\n\n\n<p>2021 \u2013 <strong>LA GROGNE<\/strong> (Animation)<br><em>Travelling Distribution<\/em> \u2013 Dir. Alisi Telengut<\/p>\n\n\n\n<p>2020 \u2013<strong> LA TRAVERS\u00c9E<\/strong><br><em>Objectif 9<\/em> \u2013 Dir. Eve St-Louis<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-8d0868b1beccb3ad73003a926222a6aa\" style=\"color:#999999\">World premiere, SXSW 2021<\/p>\n\n\n\n<p>2018 \u2013 <strong>THE FINAL ACT OF JOEY JUMBLER<\/strong><br><em>Royal Dixie Films<\/em> \u2013 Dir. Harley Chamandy<\/p>\n\n\n\n<p>2015 \u2013<strong> FRAGMENTS<\/strong><br><em>Dada<\/em> \u2013 Dir. St\u00e9phanie Weber-Biron<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-fefb17e96e47d0a196fe18a153312cf3\" style=\"color:#999999\">Ottoblix Award, Prends \u00e7a court! 2015<\/p>\n\n\n\n<p>2015 \u2013 <strong>AU TEMPS DES MONSTRES<\/strong><br>Art &amp; Essai \u2013 Dir. Sophie Farkas-Bolla<\/p>\n\n\n\n<p>2015 \u2013 <strong>IF I WAS A GOD\u2026 <\/strong>(Animation)<br><em>NFB\/Kinolife<\/em> \u2013 Dir. Cordell Baker<\/p>\n\n\n\n<p>2014 \u2013<strong> LITTLE COFFINS<\/strong><br>Dir. Connor Jessup<\/p>\n\n\n\n<p>2014 \u2013 <strong>ROBERTA<\/strong><br><em>Microclimat Films<\/em> \u2013 Dir. Caroline Monnet<\/p>\n\n\n\n<p>2014 \u2013 <strong>SOUND ASLEEP<\/strong><br><em>Prospector Films <\/em>\u2013 Dir. Aisling Chin-Yee<\/p>\n\n\n\n<p>2014 \u2013<strong> STRAY<\/strong><br><em>Grassfire Films<\/em> \u2013 Dir. Ashley McKenzie<\/p>\n\n\n\n<p>2014 \u2013 <strong>LES HEURES BLANCHES<\/strong><br><em>A\u00efsha Productions\/R!Stone Productions <\/em>\u2013 Dir. Karim Bensalah<\/p>\n\n\n\n<p>2014 \u2013 <strong>THROWING COTTON<\/strong><br>Dir. Tori Larsen<\/p>\n\n\n\n<p>2013 \u2013 <strong>ME2<\/strong><br>Dir. Martine Blue<\/p>\n\n\n\n<p>2013 \u2013<strong> TALUS AND SCREE<\/strong><br>Dir. Ruth Lawrence<\/p>\n\n\n\n<p>2013 \u2013<strong> LA TABLE<\/strong><br><em>In Your Face Productions<\/em> \u2013 Dir. Izabel Grondin<\/p>\n\n\n\n<p>2012 \u2013<strong> LISTENING BOARD<\/strong><br><em>Kino Cabaret RVCQ<\/em> \u2013 Dir. Anne \u00c9mond<\/p>\n\n\n\n<p>2011 \u2013 <strong>WHEN YOU SLEEP<\/strong><br><em>Grassfire Films <\/em>\u2013 Dir. Ashley McKenzie<\/p>\n\n\n\n<p>2010 \u2013<strong> LE PONT DE QU\u00c9BEC<\/strong><br><em>Spirafilm<\/em> \u2013 Dir. Carnior<\/p>\n\n\n\n<p>2010 \u2013 <strong>HIGGLETY PIGGLETY POP!<\/strong><br><em>Warner Brothers\/Spike Jonze\/NFB<\/em> \u2013 Dirs. Maciek Szczerbowski &amp; Chris Lavis<\/p>\n\n\n\n<p>2009 \u2013 <strong>GABRIELLE<\/strong><br><em>Dada<\/em> \u2013 Dir. St\u00e9phanie Weber-Biron<\/p>\n\n\n\n<p>2009 \u2013 <strong>JESUS SAVES<\/strong><br><em>Ciudad Films<\/em> \u2013 Dir. Elias Varoutsos<\/p>\n\n\n\n<p>2008 \u2013<strong> LA TRILOGIE CHRYSALIDES<\/strong><br>Dir. Patrick Bernatchez<\/p>\n\n\n\n<p>2008 \u2013 <strong>134340 ALIAS PLUTON<\/strong><br>Dir. Patrick Bernatchez<\/p>\n\n\n\n<p>2007 \u2013 <strong>NIGHTWATCH<\/strong><br><em>Dada<\/em> \u2013 Dir. Luka Di Gioacchino<\/p>\n\n\n\n<p>2006 \u2013 <strong>I FEEL COLD TODAY<\/strong><br><em>Dada <\/em>\u2013 Dir. Patrick Bernatchez<\/p>\n\n\n\n<p>2005 \u2013 <strong>JAN ZENEK DISPARA\u00ceT<\/strong><br><em>Dada<\/em> \u2013 Dirs. St\u00e9phanie Weber-Biron, Maciek Szczerbowski, Chris Lavis &amp; Rapha\u00ebl B\u00e9langer<\/p>\n\n\n\n<p>2005 \u2013<strong> TERREUR AU 3918<\/strong><br><em>Tafettas Productions<\/em> \u2013 Dir. Mathieu Fontaine<\/p>\n\n\n\n<p>2005 \u2013 <strong>SOLIPSIST<\/strong><br><em>NFB<\/em> \u2013 Dir. Luca Di Gioacchino<\/p>\n\n\n\n<p>2003 \u2013 <strong>UNLIKELY PILGRIMS<\/strong><br><em>Readhead Productions <\/em>\u2013 Dirs. Agata De Santis &amp; Laura Ieraci<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Music Videos<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>St\u00e9phanie Weber-Biron has also worked on many artists\u2019 music videos, including: Little Scream, P\u00e9p\u00e9 et sa guitare, Lost Fingers, Na\u00efla, Breastfeeders, Elsiane, Patrick Watson, Nicolas Ciccone, Jason Bajada, Jacynthe, Louis Etienne, etc.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Advertisements<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>St\u00e9phanie has worked on a number of advertisements, including for: Canix, R\u00eave d\u2019enfants, Bell, Tout le monde en parle, Talent pool, etc.<\/p>\n","protected":false},"featured_media":762,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[28],"class_list":["post-1320","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director-of-photography"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1320","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":5,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1320\/revisions"}],"predecessor-version":[{"id":4533,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1320\/revisions\/4533"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/762"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1320"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}