{"id":1247,"date":"2024-05-22T10:18:10","date_gmt":"2024-05-22T14:18:10","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/pierre-marc-drouin\/"},"modified":"2026-05-08T22:39:59","modified_gmt":"2026-05-09T02:39:59","slug":"pierre-marc-drouin","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/pierre-marc-drouin\/","title":{"rendered":"Drouin, Pierre-Marc"},"content":{"rendered":"\r\n

Fiction<\/p>\r\n\r\n\r\n\r\n

2025 – CASSE GUEULE<\/b> (TV series)
10 x 42 min. \u2013 Screenwriter \u2013 Duo Productions\/Crave<\/i><\/p>\r\n

2025 – IN MEMORIAM II<\/b> (TV series)
8 x 60 min. \u2013 Creator and screenwriter \u2013 Passez Go\/Bell Media<\/i><\/p>\r\n

2025 – BON NUIT CHUCK <\/b>(TV series in development)
4 x 60 min. \u2013 Co-screenwriter \u2013 Duo Productions\/Crave \u2013 <\/i>Dir. Various<\/p>\r\n\r\n\r\n\r\n

2025 – VERTICAL\u00a0<\/strong>(TV series in development)
10 x 60 min. \u2013\u00a0Sc\u00e9nariste \u2013\u00a0Productions Passez-Go<\/em><\/p>\r\n\r\n\r\n\r\n

2025-2024 – LES ARMES<\/strong>\u00a0\u2013 (TV series)
Screenwriter \u2013 Aetios\/Illico-TVA<\/em> \u2013 Dir.\u00a0\u00a0Jean-Philippe Duval<\/p>\r\n\r\n\r\n\r\n

2025 – MONT ROUGE\u00a0II<\/strong>
6 x 45 mins \u2013 Creator, co-screenwriter \u2013\u00a0Casablanca<\/em><\/p>\r\n\r\n\r\n\r\n

2024 – IN MEMORIAM<\/strong>\u00a0(TV Series)
8 x 60 min. \u2013 Creator et co-screenwriter \u2013 Passez Go\/Bell Media<\/em><\/p>\r\n\r\n\r\n\r\n

Nomination, Best text: Dramatic Series, G\u00e9meaux Awards 2025<\/span>
Best Drama Series 2024, Berlin Series Festival<\/span><\/p>\r\n\r\n\r\n\r\n\r\n\r\n

2024 – DOUTE RAISONNABLE IV\u00a0<\/strong>(TV Series)
2 x 60 min. \u2013 Co-screenwriter \u2013\u00a0Aetios<\/em><\/p>\r\n\r\n\r\n\r\n

2022 – DOUTE RAISONNABLE III<\/strong>\u00a0(TV series)
10 x 60 min. \u2013 Screenwriter \u2013\u00a0Aetios<\/em><\/p>\r\n\r\n\r\n\r\n

2022 – MONT ROUGE<\/strong>\u00a0(TV series)
6 x 45 min. \u2013 Creator, screenwriter \u2013\u00a0Casablanca<\/em><\/p>\r\n\r\n\r\n\r\n

2022 – DOUTE RAISONNABLE II<\/strong>\u00a0(TV series)
4 x 60 min. –\u00a0Co-screenwriter \u2013\u00a0Aetios<\/em><\/p>\r\n\r\n\r\n\r\n

2022 – B\u00c9B\u00c9ATRICE V<\/strong>\u00a0(Youth animated series)
Co-screenwriter \u2013\u00a0Echo Media\/SRC\/Tou.TV<\/em><\/p>\r\n\r\n\r\n\r\n

2022-2015 – SEMI-ATTACH\u00c9<\/strong>\u00a0(TV series in development)
13 x 60 min. \u2013 Co-screenwriter, co-script-editor \u2013\u00a0Juste pour rire TV\/M\u00e9lomanie<\/em><\/p>\r\n\r\n\r\n\r\n

2021 – LES MOMENTS PARFAITS II<\/strong>\u00a0(TV series)
2 x 60 min. \u2013 Screenwriter \u2013\u00a0Encore T\u00e9l\u00e9vision<\/em><\/p>\r\n\r\n\r\n\r\n

2021 – B\u00c9B\u00c9ATRICE IV<\/strong>\u00a0(Youth animated series)
Co-screenwriter \u2013\u00a0Echo Media\/SRC\/Tou.TV<\/em><\/p>\r\n\r\n\r\n\r\n

2020 – LES MOMENTS PARFAITS<\/strong>\u00a0(TV series)
Script-editor \u2013\u00a0Encore T\u00e9l\u00e9vision<\/em><\/p>\r\n\r\n\r\n\r\n

2020 – PADRE<\/strong>\u00a0(TV series)
13 x 30 min. \u2013 Screenwriter, script-editor \u2013\u00a0Les Productions Rivard\/Productions ToRos\/Unis TV<\/em><\/p>\r\n\r\n\r\n\r\n

2020 – ANIMAUX NOIRS<\/strong>\u00a0(TV series in development)
10 x 60 min. \u2013 Screenwriter, script-editor \u2013\u00a0Passez Go<\/em><\/p>\r\n\r\n\r\n\r\n

2020 – B\u00c9B\u00c9ATRICE III<\/strong>\u00a0(Youth animated series)
Co-screenwriter \u2013\u00a0Echo Media\/SRC\/Tou.TV<\/em><\/p>\r\n\r\n\r\n\r\n

2018 – LA MAL\u00c9DICTION DE JONATHAN PLOURDE<\/strong>\u00a0(TV series)
4 x 60 min. \u2013 Co-screenwriter \u2013\u00a0Avenue Productions\/Vrak\/Super \u00c9cran<\/em><\/p>\r\n\r\n\r\n\r\n

2018 – MAX & LIVIA II<\/strong>\u00a0(TV series)
2 x 30 min. \u2013 Screenwriter \u2013\u00a0Juste pour rire\/Vrak<\/em>\u00a0\u2013 Dir. Fr\u00e9d\u00e9ric Nassif<\/p>\r\n\r\n\r\n\r\n

2017 – LA MAISON DES FOLLES<\/strong>\u00a0(Webseries)
3 x 10 min. \u2013 Script-editor \u2013\u00a0St-Laurent TV<\/em>\u00a0\u2013 Dir. Mara Joly<\/p>\r\n\r\n\r\n\r\n

2017 – LE SI\u00c8GE<\/strong>\u00a0(TV series)
6 x 60 min. \u2013 Creator, screenwriter \u2013\u00a0Attraction Images\/Phare-Est\/SRC\/Netflix<\/em>\u00a0\u2013 Dir. Jim Donovan<\/p>\r\n\r\n\r\n\r\n

2016 – MAX & LIVIA I<\/strong>\u00a0(TV series)
2 x 30 min. \u2013 Screenwriter \u2013\u00a0Juste pour rire TV\/Vrak<\/em>\u00a0\u2013 Dir. Fr\u00e9d\u00e9ric Nassif<\/p>\r\n\r\n\r\n\r\n

2016 – SHARP II<\/strong>\u00a0(Webseries)
Script-editor (6 episodes), co-screenwriter (2 episodes)
Jimmy Lee\/La R\u00e9cr\u00e9\/Vid\u00e9otron\/LibTV\u00a0<\/em>\u2013 Dir. Julien Hurteau<\/p>\r\n\r\n\r\n\r\n

2015 – THOMAS EST NERVEUX<\/strong>\u00a0(Webseries)
10 x 5 min.\u2013\u00a0Creator, screenwriter \u2013\u00a0Jimmy Lee\/Vid\u00e9otron\/Lib TV\u00a0<\/em>\u2013 Dir. S\u00e9bastien Gagn\u00e9<\/p>\r\n\r\n\r\n\r\n

International competition, S\u00e9rie Mania 2015<\/span>
Nomination, best comedy series, Numix Awards 2015<\/span>
Nomination, best comedy series, G\u00e9meaux Awards 2015<\/span><\/p>\r\n\r\n\r\n\r\n

\u00a0<\/p>\r\n\r\n\r\n

\r\n\r\n\r\n

Short Films<\/p>\r\n\r\n\r\n\r\n

2017 – MARCH FOOL (POISSON DE MARS)<\/strong>
Co-director with Simon Lamarre-Ledoux, screenwriter<\/p>\r\n\r\n\r\n\r\n

Audience award, Festival 48 Images Seconde (Florac, France) 2019<\/span>
Official competition, Gala Prends \u00e7a court!, RVQC 2019<\/span>
SODEC Award (with Simon Lamarre-Ledoux), Gala Prends \u00e7a court! –\u00a0\u00a0RVQC 2018<\/span><\/p>\r\n\r\n\r\n\r\n

2016 – A DONE DEAL (UNE FORMALIT\u00c9)<\/strong>
Co-producer, co-director, concept, screenwriter<\/p>\r\n\r\n\r\n\r\n

Official competition, Courts d\u2019un soir 2017<\/span>
La Sette emergence award, Fantasia Film Festival 2016<\/span>
UDA Award, best actors, Fantasia Film Festival 2016<\/span>
Official competition, Raindance 2016<\/span>
Official competition, Off-Courts Trouville 2016<\/span>
Selection Talent tout court T\u00e9l\u00e9film Canada, Cannes Film Festival 2016<\/span>
Official competition, Regard sur le court m\u00e9trage au Saguenay 2016<\/span>
Official competition, DC Shorts 2016<\/span>
Official competition, Rhode Island Film Festival 2016<\/span>
Official competition, Calgary International Film Festival 2016<\/span>
Non-competition selection, International Film Festival of Asian Pacific Countries 2016<\/span>
Com\u00e9diHa! selection, Juste Pour Rire 2016<\/span><\/p>\r\n\r\n\r\n\r\n

2015 – FIRST AID (PREMIERS SOINS)<\/strong>
Concept, screenwriter \u2013\u00a0Lyla Films<\/em>\u00a0\u2013 Dir. Jean-Marc Pich\u00e9<\/p>\r\n\r\n\r\n\r\n

Nomination, best short film, Skepto International Film Festival 2015<\/span>
Official selection, Toronto Shorts Fest 2015<\/span>
Official selection, Los Angeles Film Festival 2015<\/span>
Official selection, International Film & Entertainment Festival of Australia 2015<\/span>
Official selection, Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois 2015\u00a0<\/span>
Official selection, Sedona International Film Festival 2015<\/span>
Official selection, Beverly Hills International Film Festival 2015<\/span>
Official selection, New York City Comedy Fest 2015<\/span>
Official selection, Brussels Short Film Fest 2015<\/span>
Special award, cooperation & strengthening friendship & understanding between nations, Near Nazareth Festival 2015<\/span><\/p>\r\n\r\n\r\n\r\n

2006 – EMBRASSE-MOI<\/strong>\u00a0\u2013 Director, concept, screenwriter \u2013\u00a0Carolyne Goyette<\/em><\/p>\r\n\r\n\r\n\r\n

Audience special mention, Project Y<\/span>
Nomination, best film, YoungCuts<\/span>
Opening film, MHSOC Best of the Best<\/span>
Best actor direction, MHSOC<\/span><\/p>\r\n\r\n\r\n\r\n

\u00a0<\/p>\r\n\r\n\r\n

\r\n\r\n\r\n

Novels<\/p>\r\n\r\n\r\n\r\n

2011 – MILE END STORIES<\/strong>\u00a0\u2013 328 pages
Les \u00c9ditions Qu\u00e9bec Am\u00e9rique<\/em> – American Literature Collection<\/p>\r\n\r\n\r\n\r\n

2010 – SI LA TENDANCE SE MAINTIENT<\/strong>\u00a0\u2013 248 pages
Les \u00c9ditions Qu\u00e9bec Am\u00e9rique<\/em>\u00a0\u2013 First Impression Collection #6<\/p>\r\n\r\n\r\n\r\n

Nomination, Senghor Award for a 1st French-language novel 2011 (Paris)<\/span><\/p>\r\n","protected":false},"featured_media":680,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[24,27],"class_list":["post-1247","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":11,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247\/revisions"}],"predecessor-version":[{"id":5391,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247\/revisions\/5391"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/680"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1247"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}