{"id":1247,"date":"2024-05-22T10:18:10","date_gmt":"2024-05-22T14:18:10","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/pierre-marc-drouin\/"},"modified":"2025-09-24T15:03:52","modified_gmt":"2025-09-24T19:03:52","slug":"pierre-marc-drouin","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/pierre-marc-drouin\/","title":{"rendered":"Drouin, Pierre-Marc"},"content":{"rendered":"\n<p class=\"has-black-color has-text-color has-link-color wp-elements-02da68daeb4b8c1ee8393ae9c72c79f1\" style=\"font-size:28px\">Fiction<\/p>\n\n\n\n<p>2025 &#8211; <strong>BON MATIN CHUCK 2&nbsp;<\/strong>(TV series in development)<br>4 x 60 min. \u2013&nbsp;Co-screenwriter&nbsp;\u2013&nbsp;<em>St Laurent TV\/Crave \u2013&nbsp;<\/em>Dir. Various<\/p>\n\n\n\n<p>2025 &#8211; <strong>VERTICAL&nbsp;<\/strong>(TV series in development)<br>10 x 60 min. \u2013&nbsp;Sc\u00e9nariste \u2013&nbsp;<em>Productions Passez-Go<\/em><\/p>\n\n\n\n<p>2025-2024 &#8211; <strong>LES ARMES<\/strong>&nbsp;\u2013 (TV series)<br>Screenwriter \u2013 Aetios\/Illico-TVA \u2013 R\u00e9al.&nbsp;&nbsp;Jean-Philippe Duval<\/p>\n\n\n\n<p>2025 &#8211; <strong>MONT ROUGE&nbsp;II<\/strong><br>6 x 45 mins \u2013 Creator, co-screenwriter \u2013&nbsp;<em>Casablanca<\/em><\/p>\n\n\n\n<p>2024 &#8211; <strong>IN MEMORIAM<\/strong>&nbsp;(TV Series)<br>8 x 60 min. \u2013 Creator et co-screenwriter \u2013 Passez Go\/Bell Media<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-320a54801db4a396a43300cf6655c4da\" style=\"color:#999999\">Nomination, Best text: Dramatic Series, G\u00e9meaux Awards 2025<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-9427d5bda11477058a727352345e3d51\" style=\"color:#999999\">Best Drama Series 2024, Berlin Series Festival<\/p>\n\n\n\n<p>2024 &#8211; <strong>DOUTE RAISONNABLE IV&nbsp;<\/strong>(TV Series)<br>2 x 60 min. \u2013 Co-screenwriter \u2013&nbsp;<em>Aetios<\/em><\/p>\n\n\n\n<p>2022 &#8211; <strong>DOUTE RAISONNABLE III<\/strong>&nbsp;(TV series)<br>10 x 60 min. \u2013 Screenwriter \u2013&nbsp;<em>Aetios<\/em><\/p>\n\n\n\n<p>2022 &#8211; <strong>MONT ROUGE<\/strong>&nbsp;(TV series)<br>6 x 45 min. \u2013 Creator, screenwriter \u2013&nbsp;<em>Casablanca<\/em><\/p>\n\n\n\n<p>2022 &#8211; <strong>DOUTE RAISONNABLE II<\/strong>&nbsp;(TV series)<br>4 x 60 min. &#8211;&nbsp;Co-screenwriter \u2013&nbsp;<em>Aetios<\/em><\/p>\n\n\n\n<p>2022 &#8211; <strong>B\u00c9B\u00c9ATRICE V<\/strong>&nbsp;(Youth animated series)<br>Co-screenwriter \u2013&nbsp;<em>Echo Media\/SRC\/Tou.TV<\/em><\/p>\n\n\n\n<p>2022-2015 &#8211; <strong>SEMI-ATTACH\u00c9<\/strong>&nbsp;(TV series in development)<br>13 x 60 min. \u2013 Co-screenwriter, co-script-editor \u2013&nbsp;<em>Juste pour rire TV\/M\u00e9lomanie<\/em><\/p>\n\n\n\n<p>2021 &#8211; <strong>LES MOMENTS PARFAITS II<\/strong>&nbsp;(TV series)<br>2 x 60 min. \u2013 Screenwriter \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision<\/em><\/p>\n\n\n\n<p>2021 &#8211; <strong>B\u00c9B\u00c9ATRICE IV<\/strong>&nbsp;(Youth animated series)<br>Co-screenwriter \u2013&nbsp;<em>Echo Media\/SRC\/Tou.TV<\/em><\/p>\n\n\n\n<p>2020 &#8211; <strong>LES MOMENTS PARFAITS<\/strong>&nbsp;(TV series)<br>Script-editor \u2013&nbsp;<em>Encore T\u00e9l\u00e9vision<\/em><\/p>\n\n\n\n<p>2020 &#8211; <strong>PADRE<\/strong>&nbsp;(TV series)<br>13 x 30 min. \u2013 Screenwriter, script-editor \u2013&nbsp;<em>Les Productions Rivard\/Productions ToRos\/Unis TV<\/em><\/p>\n\n\n\n<p>2020 &#8211; <strong>ANIMAUX NOIRS<\/strong>&nbsp;(TV series in development)<br>10 x 60 min. \u2013 Screenwriter, script-editor \u2013<em>&nbsp;Passez Go<\/em><\/p>\n\n\n\n<p>2020 &#8211; <strong>B\u00c9B\u00c9ATRICE III<\/strong>&nbsp;(Youth animated series)<br>Co-screenwriter \u2013&nbsp;<em>Echo Media\/SRC\/Tou.TV<\/em><\/p>\n\n\n\n<p>2018 &#8211; <strong>LA MAL\u00c9DICTION DE JONATHAN PLOURDE<\/strong>&nbsp;(TV series)<br>4 x 60 min. \u2013 Co-screenwriter \u2013&nbsp;<em>Avenue Productions\/Vrak\/Super \u00c9cran<\/em><\/p>\n\n\n\n<p>2018 &#8211; <strong>MAX &amp; LIVIA II<\/strong>&nbsp;(TV series)<br>2 x 30 min. \u2013 Screenwriter \u2013&nbsp;<em>Juste pour rire\/Vrak<\/em>&nbsp;\u2013 Dir. Fr\u00e9d\u00e9ric Nassif<\/p>\n\n\n\n<p>2017 &#8211; <strong>LA MAISON DES FOLLES<\/strong>&nbsp;(Webseries)<br>3 x 10 min. \u2013 Script-editor \u2013&nbsp;<em>St-Laurent TV<\/em>&nbsp;\u2013 Dir. Mara Joly<\/p>\n\n\n\n<p>2017 &#8211; <strong>LE SI\u00c8GE<\/strong>&nbsp;(TV series)<br>6 x 60 min. \u2013 Creator, screenwriter \u2013&nbsp;<em>Attraction Images\/Phare-Est\/SRC\/Netflix<\/em>&nbsp;\u2013 Dir. Jim Donovan<\/p>\n\n\n\n<p>2016 &#8211; <strong>MAX &amp; LIVIA I<\/strong>&nbsp;(TV series)<br>2 x 30 min. \u2013 Screenwriter \u2013&nbsp;<em>Juste pour rire TV\/Vrak<\/em>&nbsp;\u2013 Dir. Fr\u00e9d\u00e9ric Nassif<\/p>\n\n\n\n<p>2016 &#8211; <strong>SHARP II<\/strong>&nbsp;(Webseries)<br>Script-editor (6 episodes), co-screenwriter (2 episodes)<br><em>Jimmy Lee\/La R\u00e9cr\u00e9\/Vid\u00e9otron\/LibTV&nbsp;<\/em>\u2013 Dir. Julien Hurteau<\/p>\n\n\n\n<p>2015 &#8211; <strong>THOMAS EST NERVEUX<\/strong>&nbsp;(Webseries)<br>10 x 5 min.\u2013&nbsp;Creator, screenwriter \u2013&nbsp;<em>Jimmy Lee\/Vid\u00e9otron\/Lib TV&nbsp;<\/em>\u2013 Dir. S\u00e9bastien Gagn\u00e9<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-0027dd3a9714b41c0dcecdc3eaa7d779\" style=\"color:#999999\">International competition, S\u00e9rie Mania 2015<br>Nomination, best comedy series, Numix Awards 2015<br>Nomination, best comedy series, G\u00e9meaux Awards 2015<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-25ed077e04ec19486e060957df95b73f\" style=\"color:#999999\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p style=\"font-size:28px\">Short Films<\/p>\n\n\n\n<p>2017 &#8211; <strong>MARCH FOOL (POISSON DE MARS)<\/strong><br>Co-director with Simon Lamarre-Ledoux, screenwriter<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-741e7409c796b75578874459ad2867ab\" style=\"color:#999999\">Audience award, Festival 48 Images Seconde (Florac, France) 2019<br>Official competition, Gala Prends \u00e7a court!, RVQC 2019<br>SODEC Award (with Simon Lamarre-Ledoux), Gala Prends \u00e7a court! &#8211;&nbsp;&nbsp;RVQC 2018<\/p>\n\n\n\n<p>2016 &#8211; <strong>A DONE DEAL (UNE FORMALIT\u00c9)<\/strong><br>Co-producer, co-director, concept, screenwriter<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-ec31784d3f8b9f17a99ee2748affb8d0\" style=\"color:#999999\">Official competition, Courts d\u2019un soir 2017<br>La Sette emergence award, Fantasia Film Festival 2016<br>UDA Award, best actors, Fantasia Film Festival 2016<br>Official competition, Raindance 2016<br>Official competition, Off-Courts Trouville 2016<br>Selection Talent tout court T\u00e9l\u00e9film Canada, Cannes Film Festival 2016<br>Official competition, Regard sur le court m\u00e9trage au Saguenay 2016<br>Official competition, DC Shorts 2016<br>Official competition, Rhode Island Film Festival 2016<br>Official competition, Calgary International Film Festival 2016<br>Non-competition selection, International Film Festival of Asian Pacific Countries 2016<br>Com\u00e9diHa! selection, Juste Pour Rire 2016<\/p>\n\n\n\n<p>2015 &#8211; <strong>FIRST AID (PREMIERS SOINS)<\/strong><br>Concept, screenwriter \u2013&nbsp;<em>Lyla Films<\/em>&nbsp;\u2013 Dir. Jean-Marc Pich\u00e9<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-1e0dcf89c1007a5d37a77b43f565eabf\" style=\"color:#999999\">Nomination, best short film, Skepto International Film Festival 2015<br>Official selection, Toronto Shorts Fest 2015<br>Official selection, Los Angeles Film Festival 2015<br>Official selection, International Film &amp; Entertainment Festival of Australia 2015<br>Official selection, Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois 2015&nbsp;<br>Official selection, Sedona International Film Festival 2015<br>Official selection, Beverly Hills International Film Festival 2015<br>Official selection, New York City Comedy Fest 2015<br>Official selection, Brussels Short Film Fest 2015<br>Special award, cooperation &amp; strengthening friendship &amp; understanding between nations, Near Nazareth Festival 2015<\/p>\n\n\n\n<p>2006 &#8211; <strong>EMBRASSE-MOI<\/strong>&nbsp;\u2013 Director, concept, screenwriter \u2013&nbsp;<em>Carolyne Goyette<\/em><\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-4d95b9ac8a3905db07a417ceb4053618\" style=\"color:#999999\">Audience special mention, Project Y<br>Nomination, best film, YoungCuts<br>Opening film, MHSOC Best of the Best<br>Best actor direction, MHSOC<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-25ed077e04ec19486e060957df95b73f\" style=\"color:#999999\"><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p style=\"font-size:28px\">Novels<\/p>\n\n\n\n<p>2011 &#8211; <strong>MILE END STORIES<\/strong>&nbsp;\u2013 328 pages<br><em>Les \u00c9ditions Qu\u00e9bec Am\u00e9rique<\/em> &#8211; American Literature Collection<\/p>\n\n\n\n<p>2010 &#8211; <strong>SI LA TENDANCE SE MAINTIENT<\/strong>&nbsp;\u2013 248 pages<br><em>Les \u00c9ditions Qu\u00e9bec Am\u00e9rique<\/em>&nbsp;\u2013 First Impression Collection #6<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-464a393558c20e19664454ee2549b538\" style=\"color:#999999\">Nomination, Senghor Award for a 1st French-language novel 2011 (Paris)<\/p>\n","protected":false},"featured_media":680,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[24,27],"class_list":["post-1247","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":8,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247\/revisions"}],"predecessor-version":[{"id":4355,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1247\/revisions\/4355"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/680"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1247"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}