{"id":1157,"date":"2024-05-30T10:52:56","date_gmt":"2024-05-30T14:52:56","guid":{"rendered":"https:\/\/omada.ca\/?post_type=repertoire&#038;p=1157"},"modified":"2024-06-06T16:15:45","modified_gmt":"2024-06-06T20:15:45","slug":"mario-hervieux","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/mario-hervieux\/","title":{"rendered":"Hervieux, Mario"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Television<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013<strong> CHOUCHOU<\/strong><br>8 x 60 min. \u2013 Art director \u2013 <em>Passez Go\/Noovo<\/em> \u2013 Dirs. Marie-Claude Blouin &amp; F\u00e9lix T\u00e9treault<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>AUDREY EST REVENUE<\/strong><br>10 x 30 min. \u2013 Art director \u2013 Pixcom\/Illico \u2013 Dir. Guillaume Lonergan<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-5248bab6b9056a2690a166079a0f7a89 wp-block-paragraph\" style=\"color:#999999\">Nomination, best sets: fiction \u201cEpisode 3 \u2013 Car la vie est si fragile\u201d, G\u00e9meaux Awards 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> M\u2019ENTENDS-TU ? III<\/strong><br>10 x 30 min. \u2013 Art director \u2013 <em>Trio Orange\/T\u00e9l\u00e9-Qu\u00e9bec <\/em>\u2013 Dir. Miryam Bouchard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>M\u2019ENTENDS-TU ? II<\/strong><br>10 x 30 min. \u2013 Art director \u2013 <em>Trio Orange\/T\u00e9l\u00e9-Qu\u00e9bec<\/em> \u2013 Dir. Miryam Bouchard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>L\u2019ACAD\u00c9MIE<\/strong><br>10 x 30 min. \u2013 Art director \u2013 <em>Passez Go <\/em>\u2013 Dir. Marie-Claude Blouin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>LES BEAUX MALAISES IV<\/strong><br>1 x 30 min. \u2013 <em>Productions Les Beaux Malaises Inc.\/TVA<\/em> \u2013 Dir. Francis Leclerc<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>BOOMERANG III<\/strong><br>12 x 30 min \u2013 Production designer \u2013<em> Encore T\u00e9l\u00e9vision\/TVA<\/em> \u2013 Dir. Charles-Olivier Michaud<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>PR\u00c9MONITIONS<\/strong><br>10 x 60 min. \u2013 Production designer \u2013 <em>Encore T\u00e9l\u00e9vision\/AddikTV<\/em> \u2013 Dirs. Charles-Olivier Michaud, Patrick Lowe &amp; Estelle Bouchard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>LE BERCEAU DES ANGES<\/strong><br>5 x 60 min. \u2013 Art director \u2013 <em>Avanti Cin\u00e9 Vid\u00e9o\/S\u00e9ries+<\/em> \u2013 Dir. Ricardo Trogi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 \u2013<strong> LA GAL\u00c8RE VI<\/strong><br>10 x 60 min. \u2013 Art director \u2013 <em>Attraction Images\/SRC <\/em>\u2013 Dir. Charles-Olivier Michaud<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010 \u2013 <strong>MALENFANT<\/strong> (Miniseries)<br>4 x 60 min. \u2013 Art director \u2013 <em>Avanti Cin\u00e9 Vid\u00e9o\/ORBI CCI\/S\u00e9ries+<\/em> \u2013 Dir. Ricardo Trogi<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-471647cc23195a86219b0189f4edb3c5 wp-block-paragraph\" style=\"color:#999999\">Nomination, best sets: fiction, G\u00e9meaux Awards 2011<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009 \u2013 <strong>FAKERS <\/strong>(TV movie)<br>Cit\u00e9 Am\u00e9rique \u2013 Dir. Pierre Gill<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007-2006 \u2013 <strong>LES \u00c9TOILES FILANTES I, II<\/strong><br>26 x 30 min. \u2013<em> Avanti Cin\u00e9 Vid\u00e9o<\/em> \u2013 Dir. Ricardo Trogi<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-57d1420d29413bcb385a77f169ece5e5 wp-block-paragraph\" style=\"color:#999999\">Nomination, best sets: fiction, G\u00e9meaux Awards 2009<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2005 \u2013 <strong>NAKED JOSH<\/strong><br>12 x 30 min. \u2013 <em>Cirrus\/Showcase Television<\/em> \u2013 Dir. Jim Allodi<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-55929af80a9b0b68951496980f4dee3b wp-block-paragraph\" style=\"color:#999999\">Nomination, best art direction, Gemini Awards 2006<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003 \u2013<strong> IL DUCE CANADESE<\/strong><br>4 episodes \u2013 <em>Cin\u00e9 T\u00e9l\u00e9-Action\/CBC<\/em> \u2013 Dir. Giles Walker<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003 \u2013 <strong>CHOICE: THE HENRY MORGENTALER STORY <\/strong>(TV movie)<br><em>Choice Films\/CTV<\/em> \u2013 Dir. John L\u2019\u00c9cuyer<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-0359403ae16ef797753aa117ba11a753 wp-block-paragraph\" style=\"color:#999999\">Nomination, best art direction, DGC Awards 2004<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Feature films<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>BEST SELLERS<\/strong><br>Art director \u2013 Atomic Automn \u2013 Dir. Lina Roessler<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-959d5e80ef73714107a0af340da9324b wp-block-paragraph\" style=\"color:#999999\">Nomination, best art direction, DGC Awards 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>VIVRE \u00c0 100 MILLES \u00c0 L\u2019HEURE<\/strong><br>Production designer \u2013<em> Lyla Films\/Les films Opale<\/em> \u2013 Dir. Louis B\u00e9langer<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013 <strong>LES 3 P\u2019TITS COCHONS II<\/strong><br>Art director \u2013 <em>Christal Films<\/em> \u2013 Dir. Jean-Fran\u00e7ois Pouliot<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013<strong> LA NOUVELLE VIE DE PAUL SNEIJDER<\/strong><br>Art director \u2013 <em>Caramel Films <\/em>\u2013 Dir. Thomas Vincent<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013<strong> LE MIRAGE<\/strong><br>Art director \u2013 <em>Christal Films\/Les Films S\u00e9ville<\/em> \u2013 Dir. Ricardo Trogi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>GUROV AND ANNA<\/strong><br>Production designer \u2013 <em>Zone 3\/Filmoption International<\/em> \u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 \u2013<strong> N.O.I.R.<\/strong><br>Production designer \u2013 <em>Go Films\/Entertainment One<\/em> \u2013 Dir. Yves Christian Fournier<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2013 \u2013<strong> L\u2019ANGE GARDIEN<\/strong><br>Production designer \u2013 <em>Couzin Films<\/em> \u2013 Dir. Jean-S\u00e9bastien Lord<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 \u2013 <strong>LE D\u00c9MANT\u00c8LEMENT<\/strong><br>Production designer \u2013 <em>ACPAV\/Les Film S\u00e9ville <\/em>\u2013 Dir. S\u00e9bastien Pilote<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-a21ad35c354a52632ab52cf1839fd745 wp-block-paragraph\" style=\"color:#999999\">Nomination, best art direction, Canadian Screen Awards 2014<br>Official selection, critic\u2019s week, Festival de Cannes 2013<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 \u2013 <strong>L\u2019AUTRE MAISON<\/strong><br>Art director \u2013<em> Studio Film\/Max Films <\/em>\u2013 Dir. Mathieu Roy<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2012 \u2013<strong> CAMION<\/strong><br>Production designer \u2013 <em>Coop Vid\u00e9o\/K-Films Am\u00e9rique<\/em> \u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-c58b2e009825e433fc24173cffa38f1d wp-block-paragraph\" style=\"color:#999999\">Ecumenical jury award, Karlovy Vary Festival 2012<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2011 \u2013 <strong>LA VALL\u00c9E DES LARMES<\/strong><br><em>Mia Productions\/Les Films S\u00e9ville<\/em> \u2013 Dir. Maryanne Z\u00e9hil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2010 \u2013 <strong>LE VENDEUR<\/strong><br>Production designer \u2013 <em>ACPAV\/Les Films S\u00e9ville <\/em>\u2013 Dir. S\u00e9bastien Pilote<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009 \u2013 <strong>PICH\u00c9: ENTRE CIEL ET TERRE<\/strong><br>Art director \u2013 <em>Pixcom\/TVA Films <\/em>\u2013 Dir. Sylvain Archambault<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2008 \u2013 <strong>TOCADE ET FUGUE<\/strong><br><em>Productions La F\u00eate<\/em> \u2013 Dir. Roger Cantin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2007 \u2013<strong> TRUFFE<\/strong><br><em>Shen Productions\/Productions Thalie<\/em> \u2013 Dir. Kim Nguyen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 \u2013 <strong>REACON 2022<\/strong><br><em>B2000 and Bullets\/Critical Mass Releasing<\/em> \u2013 Dir. Christian Viel<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 \u2013 <strong>M\u00c9MOIRES AFFECTIVES<\/strong><br><em>Palomar Films\/Alliance Atlantis Vivafilm<\/em> \u2013 Dir. Francis Leclerc<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 \u2013 <strong>DE MA FEN\u00caTRE SANS MAISON<\/strong><br><em>Mia Productions\/K-Films Am\u00e9rique<\/em> \u2013 Dir. Maryanne Z\u00e9hil<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003 \u2013<strong> LE LITTORAL<\/strong><br><em>EGM Productions\/Les Films de Cin\u00e9ma<\/em> \u2013 Dir. Wajdi Mouawad<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2002 \u2013 <strong>P\u00c8RE ET FILS<\/strong><br><em>Max Films\/T\u00e9l\u00e9film Canada\/Alliance Vivafilm<\/em> \u2013 Dir. Michel Boujenah<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2001 \u2013 <strong>COMMENT MA M\u00c8RE ACCOUCHA DE MOI DURANT SA M\u00c9NOPAUSE<\/strong><br>Max Films\/Radio Canada Productions\/Alliance Vivafilm \u2013 Dir. S\u00e9bastien Rose<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2001 \u2013 <strong>LA TURBULENCE DES FLUIDES<\/strong><br><em>Max Films\/Alliance Vivafilm<\/em> \u2013 Dir. Manon Briand<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2000 \u2013 <strong>SNOW IN AUGUST<\/strong><br><em>Taurus 7 Film Corporation\/Showtime Entertainment <\/em>\u2013 Dir. Richard Fridenburg<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Short films<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2013 \u2013 <strong>ROLE PLAY<\/strong><br><em>Muse of Fire <\/em>\u2013 Dir. Alex Epstein<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2009 \u2013<strong> L\u2019HOMME ET LA B\u00caTE<\/strong><br><em>Guillaume Lesp\u00e9rance\/Martin Thibaudeau<\/em> \u2013 Dir. Martin Thibaudeau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2006 \u2013 <strong>THE MEGA SALE<\/strong><br><em>6ixdegres<\/em> \u2013 Dir. Kun Chang<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 \u2013<strong> CABARET<\/strong><br><em>Cine Qua None<\/em> \u2013 Dir. Bernard H\u00e9bert<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2004 \u2013 <strong>ELIGIE<\/strong><br><em>Cine Qua None<\/em> \u2013 Dir. Bernard H\u00e9bert<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2003 \u2013 <strong>SCHUMAN<\/strong><br><em>Cine Qua None<\/em> \u2013 Dir. Tim Southam<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Video games<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>CHRONICLES<\/strong> \u2013 Jimmy Lee<\/p>\n","protected":false},"featured_media":1158,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[26],"class_list":["post-1157","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-production-design"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1157","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":2,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1157\/revisions"}],"predecessor-version":[{"id":1477,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1157\/revisions\/1477"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/1158"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1157"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1157"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}