{"id":1098,"date":"2024-04-29T11:29:19","date_gmt":"2024-04-29T15:29:19","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/jessica-beauplat\/"},"modified":"2024-06-06T16:14:21","modified_gmt":"2024-06-06T20:14:21","slug":"jessica-beauplat","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/jessica-beauplat\/","title":{"rendered":"Beauplat, Jessica"},"content":{"rendered":"\n<p>2023-2022 \u2013<strong> LE PACTE<\/strong> (TV Series)<br>4 x 30 min. \u2013 Cowriter \u2013 <em>KOTV Productions | T\u00e9l\u00e9-Qu\u00e9bec<\/em> \u2013 Dir. Jean-S\u00e9bastien Lord &amp; Francis Piquette<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-e97468fc5ac290c26dd51000146ff631\" style=\"color:#999999\">Nomination &#8211; Best Writing in a Children or Youth Series, G\u00e9meaux 2023<br>Nomination &#8211; Best Children or Youth Series, fiction, G\u00e9meaux 2023<\/p>\n\n\n\n<p>2023 \u2013<strong> MES PLUS BEAUX JOURS<\/strong> (Web Series)<br>Screenwriter \u2013 3 x 5 mins. \u2013 <em>INIS<\/em> \u2013 Dir. Philippe Cormier<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-ccab61f3ae92152fd6f4cc3fca223822\" style=\"color:#999999\">Winner People\u2019s Choice Award, Best Web Series, Denton Black Film Festival 2024<br>Best Emerging Web Series, Festival Courts d\u2019un soir 2024<br>Official Competition, Festival Vues d\u2019Afrique 2024<br>Official Selection, CaribbeanTales Film Festival 2024<\/p>\n\n\n\n<p>2023 \u2013 <strong>LARSEN <\/strong>(Short Film)<br>Screenwriter \u2013 <em>INIS<\/em> \u2013 Dir. Sarah Toussaint-L\u00e9veill\u00e9<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-346eb2987d0e7438110049858af0bbe8\" style=\"color:#999999\">Official selection, Festival du nouveau cin\u00e9ma de Montr\u00e9al (FNC) 2023<br>Official selection, Rendez-vous Qu\u00e9bec Cinema 2024<br>Official selection, Festival de films \u00e9tudiants de Quebec 2024<br>Official selection, Vermont International Film Festival 2024<\/p>\n\n\n\n<p>2022 \u2013<strong> SACHA <\/strong>(Web Series in development)<br>Screenwriter \u2013 6 x 30 mins. \u2013<em> Pimiento<\/em><\/p>\n\n\n\n<p>2016 \u2013 <strong>L\u2019ASCENSION <\/strong>(Cultural Magazine)<br>6 x 30 mins. \u2013 Screenwriter, Host \u2013 <em>Bell Media<\/em><\/p>\n\n\n\n<p>2015-2014 \u2013 <strong>LES YEUX DE LA VILLE <\/strong>(Cultural Magazine)<br>6 x 30 mins. \u2013 Screenwriter, Host \u2013 <em>Bell Media<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Dramatic writing<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2023 \u2013<strong> FESTIVAL JAMAIS LU<\/strong><br>Th\u00e9\u00e2tre aux \u00c9curies<\/p>\n\n\n\n<p>2022 \u2013 <strong>CARTE BLANCHE \u00c0 TATIANA ZINGA-BOTAO<\/strong><br>Cowriter, Th\u00e9\u00e2tre La Licorne<\/p>\n\n\n\n<p>2021 \u2013<strong> LETTRES \u00c0 UNE AFRICAINE<\/strong><br>Cowriter, Th\u00e9\u00e2tre de Quat\u2019Sous<\/p>\n\n\n\n<p>2019 \u2013<strong> TOUCHE PAS \u00c0 MES CHEVEUX (ET AUTRES PRINCIPES DE BASE)<\/strong><\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-5b23b0ccc9655b4d25d0c4936dd4eaf5\" style=\"color:#999999\">Best Francophone Dramatic Text, Montreal Fringe Festival 2019<br>People\u2019s Choice Award, Montreal Fringe Festival 2019<br>Over 15 mentions in English and French-language media<\/p>\n\n\n\n<p>2019 \u2013<strong> FESTIVAL JAMAIS LU<\/strong><br>Th\u00e9\u00e2tre aux \u00c9curies<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Grants, mentorships &amp; selections<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2023 \u2013 <strong>NETFLIX<\/strong><br><em>INIS<\/em> &#8211; Grant, Screenwriting program<\/p>\n\n\n\n<p>2023 \u2013 <strong>CANADA COUNCIL FOR THE ARTS<\/strong><br>Grant, Professional development<\/p>\n\n\n\n<p>2022 \u2013 <strong>SARTEC<\/strong><br>Screenwriting mentorship program<\/p>\n\n\n\n<p>2022 \u2013<strong> ACADEMY OF CANADIAN CINEMA &amp; TELEVISION<\/strong><br>The Art of the Pitch Program<\/p>\n\n\n\n<p>2022 \u2013<strong> ALLIA<\/strong><br>Grant, Screenwriting program<\/p>\n\n\n\n<p>2021 \u2013 <strong>NETFLIX \u2013 BANFF WORLD MEDIA FILM FESTIVAL<\/strong><br><em>Diversity of Voices<\/em> \u2013 Grant for web series in development<\/p>\n\n\n\n<p>2020 \u2013 <strong>RENDEZ-VOUS QU\u00c9BEC CIN\u00c9MA<\/strong><br>Selected by the jury of Women in Film &amp; Television Canada for their conference program<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Hosting<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2023 \u2013 <strong>RENDEZ-VOUS QU\u00c9BEC CIN\u00c9MA<\/strong><br>Host of the Q&amp;As<\/p>\n\n\n\n<p>2023 \u2013 <strong>ESPACE GO<\/strong><br>Host of the round tables : Au-del\u00e0 des obstacles &#8211; la cr\u00e9ation<\/p>\n\n\n\n<p>2019 \u2013 <strong>FESTIVAL FRINGE DE MONTR\u00c9AL<\/strong><br>Host for the official festival launch<\/p>\n\n\n\n<p>2019 \u2013<strong> SALON INTERNATIONALE DE LA FEMME NOIRE<\/strong><br>Guest panelist<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Jury<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2022 \u2013 <strong>CONSEIL DES ARTS DE MONTR\u00c9AL<\/strong><br>Serve on the Music and Cultural Festival jury<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Artistic residency<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2020 \u2013 <strong>MAI<\/strong> (Montr\u00e9al, arts interculturels)<br>Artistic residency<\/p>\n\n\n\n<p>2019 \u2013 <strong>PLAYWRIGHT\u2019S WORKSHOP MONTREAL<\/strong><br>Young Creators Unit<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Journalism<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>2020-2021 \u2013<strong> FACEBOOK-CANADIAN PRESS NEWS FELLOWSHIP<\/strong><br>Recipient of the first Facebook-Canadian Press News Fellowship<\/p>\n\n\n\n<p>2019 \u2013 <strong>UNESCO<\/strong><br>Recipient of the Global Media and Information Literacy Week Scholarship (September 2019). Gothenburg, Sweden<\/p>\n","protected":false},"featured_media":116,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[27],"class_list":["post-1098","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-screenwriter"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1098","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":3,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1098\/revisions"}],"predecessor-version":[{"id":1469,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1098\/revisions\/1469"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/116"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1098"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1098"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}