{"id":1063,"date":"2024-05-16T15:45:08","date_gmt":"2024-05-16T19:45:08","guid":{"rendered":"https:\/\/omada.ca\/repertoire\/guy-carl-dube\/"},"modified":"2024-06-06T16:13:38","modified_gmt":"2024-06-06T20:13:38","slug":"guy-carl-dube","status":"publish","type":"repertoire","link":"https:\/\/omada.ca\/en\/artists\/guy-carl-dube\/","title":{"rendered":"Dub\u00e9, Guy-Carl"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Television<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2023 \u2013<strong> DOUBLE FAUTE <\/strong>(TV series)<br>Episode segments \u2013 KOTV \u2013 Dir. Rafa\u00ebl Ouellet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>EN LIGNE<\/strong> (Magazine)<br>Episode segments \u2013 <em>Attraction Images\/T\u00e9l\u00e9-Qu\u00e9bec <\/em>\u2013 Dir. \u00c9ric Morin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013<strong> LE TR\u00c9SOR DE SAINT-CASTIN<\/strong> (TV series)<br>Episode segments \u2013 <em>N12 Productions\/Historia<\/em> \u2013 Dir. Roger Cantin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>ABSOFREAKINGLUTELY<\/strong> (TV series)<br><em>Laurus Productions\/CBC<\/em> \u2013 Dir. Lori Braun<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>THE VOICE: MIDDLE EAST <\/strong>(Variety)<br>1 episode \u2013 <em>Great Things Studios\/LBCI <\/em>\u2013 Dir. N\u2019tchidj\u00e8 Doumbia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013<strong> THE MILE-ENDERS<\/strong> (TV series)<br><em>Laurus Productions\/CBC<\/em> \u2013 Dir. Lori Braun<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013<strong> A.P. AGENTS DE PROTECTION<\/strong> (Documentary)<br><em>Pimiento\/Canal D<\/em> \u2013 Dir. Luis Oliva<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013<strong> OP\u00c9RATIONS NARCOS<\/strong> (Interviews)<br><em>Pimiento\/AddikTV<\/em> \u2013 Dir. Alain Fournier<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Short films<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2024 \u2013 <strong>LE PETIT PANIER \u00c0 ROULETTE<\/strong><br><em>Les Films VOI <\/em>\u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 \u2013 <strong>BARRAGE<\/strong><br>Co-director of photography \u2013 Dir. R\u00e9mi Fr\u00e9chette<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-de7721f34c531a44dcdca80d7c8d3150 wp-block-paragraph\" style=\"color:#999999\">Official selection, Rendez-vous Quebec Cinema 2024<br>Official selection, Spams Festival 2023<br>Official selection, Quebec City Movie Festival 2023<br>Official selection, DC Shorts, Washington DC 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2023 \u2013<strong> AZALIA<\/strong><br>Dir. Marion Chuniaud<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>LES CROCHETS<\/strong><br>Co-direcor of photography \u2013 Dir. Charles Paris\u00e9<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-c7530438f03b472722d2cdd07c64ca8c wp-block-paragraph\" style=\"color:#999999\">SARTEC award, best script, Fantasia 2023<br>Official selection, Quebec City Movie Festival 2023<br>Official selection, Calgary International Film Festival 2023<br>Official selection, DC Shorts, Washington DC 2023<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> LE SCAPHANDRE<\/strong><br>Dirs. Laurence Ly &amp; Juan Frank Hernandez<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-218676fd40470de295ffa9857f37659d wp-block-paragraph\" style=\"color:#999999\">Official selection, Fantasia Film Festival 2021<br>Official selection, Festival SPASM 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> ENTRACTE<\/strong><br>Dir. Gabrielle D. Fortin<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-e3c6d5cfbb7c8417238c6b049ab71754 wp-block-paragraph\" style=\"color:#999999\">Official selection, Carrousel du film de Rimouski 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>I.T.S.S. LOVE<\/strong><br>Dir. Juan Hernandez<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-94ef6b09e9ad04e6d9676587b84f4f39 wp-block-paragraph\" style=\"color:#999999\">Best movie moment, Yes Let\u2019s Make a Movie Film Festival de Montr\u00e9al 2021<br>Official selection, Europe Film Festival 2021<br>Official selection, 1st Monthly Film Festival 2021<br>Official selection, Blastoff Los Angeles 2021<br>Official selection, Hollywood International Golden Age Festival 2021<br>Official selection, Screen Power Film Festival 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> KUNG-FU KERFUFFLE<\/strong><br><em>Front Kick Productions<\/em> \u2013 Dir. \u00c9tienne Laurendeau<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-3d416445c534530c40a1cce7bd35b5e8 wp-block-paragraph\" style=\"color:#999999\">Official selection, Fantasia Film Festival 2021<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>#KUMITE<\/strong><br><em>Front Kick Productions<\/em> \u2013 Dir. \u00c9tienne Laurendeau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>BOSS FIGHT<\/strong><br>Dir. Fred Nguyen<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>LE KINO SHOW<\/strong><br>Dir. Chrystelle Quintin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>HOMA<\/strong><br>Dir. Juan Hernandez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>ENTRE PARENTH\u00c8SES<\/strong><br>Dirs. Tobie Garceau &amp; Gabriel Auclair-Doucet<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>DEUIL MORTEL<\/strong><br>Dirs. Juan Hernandez &amp; Vincent Labelle<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>IL N\u2019Y AURA PAS DE PRINTEMPS<\/strong><br>Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>RITUELS<\/strong><br>Dirs. Juan Hernandez &amp; Vincent Labelle<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013<strong> LE FESTIVAL<\/strong><br>Dir. Ben Fry<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>BATMAN SON OF GOTHAM<\/strong><br>Dir. Jonathan B\u00e9dard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>R\u00d4LE DE SOUTIEN<\/strong><br>Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>GRIP OF DEATH<\/strong><br><em>Front Kick Productions <\/em>\u2013 Dir. \u00c9tienne Laurendeau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013 <strong>LUCIE LUCIE<\/strong><br><em>VOI Productions<\/em> \u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013 <strong>UNE NUIT \u00c0 LA CIN\u00c9MATH\u00c8QUE<\/strong><br><em>VOI Productions <\/em>\u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>SOIR\u00c9E DE FILLES<\/strong><br>Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>THE BURGLAR<\/strong><br>Dir. Tobie Garceau<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Web &amp; Ads<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>LES LAURIERS<\/strong> (Webseries)<br><em>VOI Productions <\/em>\u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"has-text-color has-link-color has-small-font-size wp-elements-bcb147b7a893779b6099ecead1c89589 wp-block-paragraph\" style=\"color:#999999\">Best cinematography, Buenos Aires BUEIFF Web Series 2022<br>Official selection, Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois 2022<br>Official selection, Toronto Webfest 2022<br>Official selection, Seoul Webfest 2022<br>Official selection, Apulia Webfest (Italie) 2022<br>Official selection, Bilbao Seriesland 2022<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013<strong> MARIA CHAPDELAINE <\/strong>(Trailer)<br><em>Productions Chaumont\/MK2 Mile End<\/em> \u2013 Dir. S\u00e9bastien Pilote<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>KAMELOT<\/strong> (Trailer)<br><em>Productions Chaumont\/MK2 Mile End<\/em> \u2013 Dir. Alexandre Astier<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>CENTRES JEUNESSE EMPLOI <\/strong>(Ad)<br><em>Movik Productions<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>LUNETTERIE ART D\u2019Y VOIR<\/strong> (Ad)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>BEC <\/strong>(Ad)<br><em>Productions Chaumon<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>PARASITE<\/strong> (Trailer)<br><em>Productions Chaumont\/MK2 Mile End <\/em>\u2013 Dir. Bong Joon-ho<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>IL PLEUVAIT DES OISEAUX<\/strong> (Trailer)<br><em>Productions Chaumont\/MK2 Mile End<\/em> \u2013 Dir. Louise Archambault<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>FESTIVAL ACC\u00c8S ASIE<\/strong> (Ad)<br><em>Productions VOI<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>INTERAC\/CFIB<\/strong> (Ad)<br><em>Groupe SJR<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>AQG : G\u00c9N\u00c9RATIONS AU TRAVAIL<\/strong> (Ad)<br><em>D\u00e9films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>LE SALON DE L\u2019AUTO DE MONTR\u00c9AL <\/strong>(Web clips)<br><em>Great Things Studio<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>MAGAZINE SUMMUM<\/strong> (Ad)<br><em>Unik M\u00e9dia<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>FADOQ<\/strong> (Ad)<br><em>D\u00e9films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>CLINIQUE D\u2019ESTH\u00c9TIQUE DE LONGUEUIL<\/strong> (Ad)<br><em>Creative Drops<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>REITMANS <\/strong>(Ad)<br><em>Trente7 M\u00e9dia<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>ADDITION ELLE <\/strong>(Ad)<br><em>Trente7 M\u00e9dia<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>CAISSE POPULAIRE DESJARDINS<\/strong> (Clip)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>FONDATION R\u00caVES D\u2019ENFANTS<\/strong> (Clips)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>FTQ : BILAN DE FIN D\u2019ANN\u00c9E<\/strong> (Clip)<br><em>Casadel Films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016-2015 \u2013 <strong>SPARK LE SHOW AVEC FRANCK NICOLAS<\/strong> (Web)<br><em>Glob TV <\/em>\u2013 R\u00e9al. Franck Nicolas<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Feature film<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013 <strong>MARCHE AVEC MOI<\/strong><br><em>VOI Productions <\/em>\u2013 Dir. Laurence Ly<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Music videos<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>WHERE TO<\/strong><br><em>Herman-A <\/em>\u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>UN D\u00c9MON ME CHERCHE<\/strong><br><em>La fi\u00e8vre<\/em> \u2013 Dir. Juan Hernandez<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>BECAUSE<\/strong><br><em>Enkor<\/em> \u2013 Dir. S\u00e9bastien Iannuzzi<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>LO TENGO TODO<\/strong><br><em>Herman-A<\/em> \u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013<strong> MON AMOUR<\/strong><br><em>Roxanne Garceau<\/em> \u2013 Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>LET\u2019S TALK ABOUT LOVE<\/strong><br><em>J\u00e9rome Couture<\/em> \u2013 Dir. J\u00e9rome Couture<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> KEEP US ALIVE<\/strong><br><em>J\u00e9rome Couture<\/em> \u2013 Dir. J\u00e9rome Couture<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>YOU DON\u2019T CALL<\/strong><br><em>CptheOG<\/em> \u2013 Dir. J\u00e9r\u00e9mie Allaire M\u00e9nard<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> OURAGAN<\/strong><br><em>M\u00e9gane Cyr <\/em>\u2013 Dir. Gabrielle D. Fortin<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>PLAYGROUND<\/strong><br><em>Slik Jack<\/em> \u2013 Dir. Beno\u00eet Fry<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>KUL OLDUM BIR CEF\u00c2K\u00c2R<\/strong><br><em>Lamia Yared<\/em> \u2013 Dir. Laurence Ly<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>EGGS<\/strong><br><em>Esther Hazy<\/em> \u2013 Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>MODERN DAY SINATRA<\/strong><br><em>Slik Jack<\/em> \u2013 Dir. Beno\u00eet Fry<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013<strong> SESSION LIVE<\/strong><br><em>The Good-Hearted Woman <\/em>\u2013 Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>THE BIG COMEDOWN<\/strong><br><em>King Melrose<\/em> \u2013 Dir. R\u00e9my Hermoso<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2015 \u2013 <strong>D\u00c9VORES-MOI<\/strong><br><em>Saucisses et moustaches <\/em>\u2013 Dir. Tobie Garceau<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2014 \u2013 <strong>END LIGHT TUNNEL<\/strong><br><em>Roger Molls<\/em> \u2013 Dir. Beno\u00eet Fry<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Corporate<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>DESJARDINS <\/strong>(Training short films)<br><em>TACcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>UQ\u00c0M <\/strong>(Training short films)<br><em>TACcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>UNIVERSIT\u00c9 DE MONTR\u00c9AL<\/strong> (Training short films)<br><em>TACcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2022 \u2013 <strong>SERVICE DES INCENDIES DE MONTR\u00c9AL<\/strong> (Training short films)<br><em>TACcom<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>BCP PARIBAS <\/strong>(Clip)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2021 \u2013 <strong>CAISSES POPULAIRES DESJARDINS <\/strong>(Clip)<br><em>Agence Magma<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013<strong> INSTITUT DE CARDIOLOGIE DE MONTR\u00c9AL <\/strong>(Clip)<br><em>Productions Chaumont<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020 \u2013 <strong>ASSOCIATION DES PRODUCTEURS MARA\u00ceCHERS DU QU\u00c9BEC<\/strong> (Clip)<br><em>Les Femmes Tournent<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2020-2018 \u2013<strong> AQG (ASSOCIATION QU\u00c9B\u00c9COISE DE G\u00c9RONTOLOGIE) <\/strong>(Clip)<br><em>D\u00e9films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2019 \u2013 <strong>ADOPTION INTERNATIONAL<\/strong> (Clip)<br><em>D\u00e9films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>S\u00c9PAQ<\/strong> (Clip)<br><em>Unik M\u00e9dia<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>UNIVERSIT\u00c9 MCGILL <\/strong>(Clip)<br><em>Great Things Studio<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2018 \u2013 <strong>STUDIO ART\u00c9FACT<\/strong> (Clip)<br><em>Creative Drops<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2017 \u2013 <strong>CANADIAN NATIONAL<\/strong> (Clip)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>CSN<\/strong> (Training short films)<br><em>Yantra Films<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">2016 \u2013 <strong>ORCHESTRE SYMPHONIQUE DE MONTR\u00c9AL<\/strong> (Interview &amp; recording)<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\">Cam\u00e9raman<\/h2>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Guy-Carl Dub\u00e9 also worked as a camera man on multiple TV series, webseries, and more. A more extensive list is available on demand.<\/p>\n","protected":false},"featured_media":512,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"cat-repertoire":[28],"class_list":["post-1063","repertoire","type-repertoire","status-publish","format-standard","has-post-thumbnail","hentry","cat-repertoire-director-of-photography"],"acf":[],"_links":{"self":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire"}],"about":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/types\/repertoire"}],"version-history":[{"count":6,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1063\/revisions"}],"predecessor-version":[{"id":1464,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/repertoire\/1063\/revisions\/1464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media\/512"}],"wp:attachment":[{"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/media?parent=1063"}],"wp:term":[{"taxonomy":"cat-repertoire","embeddable":true,"href":"https:\/\/omada.ca\/en\/wp-json\/wp\/v2\/cat-repertoire?post=1063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}